SUPACELL (2024– ): Interesting but uneven Black British superhero drama, created by Rapman, about five seemingly unrelated South Londoners — delivery driver Michael (Tosin Cole), nurse Sabrina (Nadine Mills), ex-con Andre (Eric Kofi Abrefa), pot dealer Rodney (Calvin Demba), and gang leader Tazer (Josh Tedeku) — who discover that they have superhuman powers. Michael sets out to find the others after getting a glimpse of the near future in which he learns that his fiancée Dionne (Adelayo Adedayo) will soon be killed. However, Andre is more concerned with reconnecting with his teenage son (Ky-Mani Carty) and finding a job, Sabrina is desperately trying to keep hers while also trying to keep her sister Sharleen (Rayxia Ojo) out of trouble, Rodney is using his super-speed powers to run London's fastest weed delivery service, and Tazer is enmeshed in an escalating gang war against his former mentor Krazy (Ghetts).
The cast is great (Abrefa, Tedeku, Ghetts, and Ojo are especially good), the characters are engaging, and there are some clever touches (including the eventual explanation of the title in Ep. 6). However, while watching the ways the characters' emerging powers impact their lives is engrossing, the actual superhero plot (which has distinct echoes of the late and unlamented HEROES) feels a bit stale, the characters' powers are not always clearly delineated, the big fight scenes are sometimes blah, and there are some hokey touches (like over-use of the glowing eyes effect seen on the poster image above).
More concerningly, SUPACELL's attitude toward and treatment of Black women is frequently troubling. The very talented Adedayo is wasted — I hated the way the narrative treated Dionne, which at points had me tempted to nope out — and most of the show's Black female characters consistently get very rough treatment with noticeably less sympathy than the men, which cast a gloomy pall over an otherwise compelling series.
CONTAINS LESBIANS? Not that I noticed, and given the show's attitude toward women, I fear any wlw would meet bad ends in short order. VERDICT: Given how relentlessly most nerd media marginalizes and mistreats Black characters and cast, it's great to see Black characters centered in a story like this, but while much of SUPACELL is really quite good, the misogyny left a bad taste.
