#red scarf

[avbocetos]

Naruhina month Day 6. The Last aniversary.

The red scarf of love ❣️

[themancorialist]

St Peter's Square, Manchester.

[soniruza]

Hi again! Here's Red! (Re-e-e-ed, re-e-e-ed) lmao ❤️🧣

[mythologypaintings]

Cupid Wounded by a Bee in the Finger

Artist: Benjamin West (American, 1738 - 1820)

Date: ca. 1796

Medium: Oil on canvas

Collection: The Nelson-Atkins Museum of Art, Kansas City, Missouri, United States

[wwolfway]

line up of these freaks. kind of a continuation / finished version of this but with less guys

​cross has a prosthetic left arm in these :]

+ doodles .. dynamics. get these guys out of here

+ a scrapped sona concept

also the cane accessories are based on a collab with @/vanglaggle that i think about at least once when drawing dust and geno together

[toastjadan]

[acidyellowlava]

As I'm definitely not a spite-powered person, have this Gehrmaria piece and prepare for more to come! 😈🖤

Personal headcanon in question: Maria gifted to Gehrman his red scarf. He'd normally avoid garish clothing, but as he would refuse any high-class item she could've given him, this was the only compromise that allowed her to still show her care for him and definitely not put her hands on his skin even for a second. Neither of them ever spoke of it. 😏

Any fellow POTO fan can easily understand why I got so taken by that scarf the first time I saw it - I mean, you start the game and see an old man in a wheelchair wearing it, c'mon!!.

Full pic and Image ID under the cut:

[Image ID: A digital drawing of Lady Maria of the Astral Clocktower and Gehrman the First Hunter from Bloodborne cut from their shoulders up. Maria is on the left and Gehrman on the right. Of her, the plumed hat and silver hair are visible as she's pictured from behind, her face barely showing but still blushing as she's looking down towards Gehrman, meanwhile he's drawn from the front with his head turned to his left and away, with a visible blush on his face. He's also holding his top hat on his head./end ID]

[Image ID: A digital drawing of Lady Maria of the Astral Clocktower and Gehrman the First Hunter from Bloodborne cut from their shoulders down. Maria's pauldron and cloak hang from her shoulders and part of her dark, patterned attire is visible beneath them, while her gloved hands are holding onto Gehrman's scarf making a knot of it. Gehrman's still next to her with his arms raised out of field, dressed only in his waistcoat, shirt and pants./end ID]

[Image ID: A digital drawing of Lady Maria of the Astral Clocktower and Gehrman the First Hunter from Bloodborne as the complete version of the previous two images. They're pictured close to each other as she's tying his red scarf to his neck. Both of them are visibly blushing from the gesture despite not looking at each other. She's on the left and partially seen from behind, while he's on the right and seen from the front. She's wearing her signature plumed hat, silver hair with ribbon, pauldron, cloak and patterned attire with gloves and belts, while he's wearing his "civilian" attire, with the Yharnam's waistcoat, shirt and pants, and a top hat he's holding with both hands atop his head./end ID]

[portrait-paintings]

Portrait of May Sartoris

Artist: Frederic Leighton (British, 1830-1896)

Date: c. 1860

Medium: Oil on canvas

Collection: Kimbell Art Museum, Fort Worth, Texas, United States

Description

One of the leading artists of the tendency in British art known as the Aesthetic Movement, Frederic Leighton trained in the continental academic tradition in Germany, Italy, and France and insisted upon beauty and form as the artist’s primary concerns. He was elected president of the Royal Academy in 1878 and elevated to the peerage in 1896.

In 1853, the young Leighton met Adelaide Sartoris, a former opera singer and celebrated hostess whose friendship provided him with an entrée into artistic and fashionable society. He seems to have painted this celebrated portrait of Adelaide’s daughter, Mary Theodosia (May) around 1860, the year after he settled in London. She is aged about fifteen and depicted in the setting of the family’s country residence in Hampshire. The fallen tree suggests the passage of time and mortality, accentuating her fragile beauty.

A descendant of the Kemble family - one of the most distinguished English theatrical dynasties - May was a talented amateur actress and singer. She married Henry Evans Gordon in 1871, and Leighton painted two further portraits of her in the succeeding years.