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Research Outpost Norwich #2 by Russell Moreton Via Flickr: RELATIONSCAPES Movement, Art, Philosophy Erin Manning Prelude : What moves as a body returns as a movement of thought Something in the world forces us to think. This something is not an object of recognition, but a fundamental encounter. Gilles Deleuze, Difference and Repetition AN ANTHROPOLOGY OF LANDSCAPE Christoper Tilley, Kate Cameron-Daum Materiality From our perspective in this book representations of landscape, textual or pictorial, are of secondary significance and we should treat them as such; they are selective and partial, and often highly ideological, ways of seeing and knowing. It forms a material medium in which we dwell and move and think. Redirecting the study of landscape from representation to the materially grounded messiness of everyday life and the minutiae of material practices that constitute it. Landscapes are contested, untidy and messy, tensioned, always in the making. Our landscapes of modernity are frequently on the move and peopled by diasporas and migrants of identity, people making homes in new places. Field Observations Spatial relations within the landscape are complex. The manner in which persons and their bodies cannot be understood apart from the landscapes of which they are a part, reciprocally involved in forms of movement, action, awareness and social memory. Embodied Identities Art in and from the landscape Fragile Environments : Nature and Culture On Ways of Walking and Making Art A personal reflection M Collier Making art is a practical application of phenomenology Engaging with an embodied experience of space and depth (what Merleau-Ponty called the 'flesh of the world'). WATERLOG Journeys Around An Exhibition Landscape and Memory AFTER SEBALD Essays and Illuminations Edited by Jon Cook
Relationscapes: Encounters in de Vishal. Relationscapes* is een project van kunstenaar Lola Bezemer en kunstenaar/onderzoeker Greig Burgoyne en omvat twee tentoonstellingen met zes performancekunstenaars uit Europa die reflecteren op het thema grenzen. Grenzen zijn tegenstrijdig: ze beschermen en sluiten uit; ze onthullen en verbergen; ze zijn fysiek en mentaal; zichtbaar en onzichtbaar. Relationscapes onderzoekt zowel... https://www.haarlemupdates.nl/2026/01/12/relationscapes-encounters-in-de-vishal/ #Haarlem #tentoonstelling #Vishal #Relationscapes #Encounters
[Aboriginal] Dreaming is both actual occasion and extensive continuum, the world as it happens and the world as it envelops its happening. Law and event, experience and force of apparition. Dreamings cycle time. Their determinacy is a matter of fact, their indetermination their appetition. Force for expression makes itself felt in the Dreaming’s infinite desire to take form once again. … There is no final state, no point of adherence where the fact becomes itself once and for all. The Dreaming’s matter of fact is the potential of life to continue to become. “That the present moment is not a moment of being or of present ‘in the strict sense,’ that it is the passing moment, forces us to think of becoming, but to think of it precisely as what could not have started, and cannot finish, becoming” (Deleuze). The Dreaming has no ultimate identity: it is that out of which relationscapes are born.
Erin Manning, Relationscapes: Movement, Art, Philosophy
"When we are no longer still, the world lives differently." HELL YES!
a favourite quote for the Walls to the Ball catalogue for the Peterborough/Artspace edition!