#repeaters

[spockvarietyhour]

Got distracted, this guy is previously credited as one of the One False Step aliens from SG1

You know, one of these guys

[transpondster]

Jane Fonda on how she tries to use the reach of her celebrity

[autumnrevisited]

Interview with Geoff Rickly about No Devotion and No Oblivion by Gen Handley for issue 64 of New Noise, Sep. 2022.

full text under cut

“It’s like a blessing and a curse,” explains Geoff Rickly, smiling on the Zoom window a bit sadly. “When you really love an album, you can’t wait for people to hear it… but (you’re) also set up to have your heart broken because they won’t love it as much as you do.”

“Right now, to me, it’s my favorite record in the world,” he continues. “But soon it’ll come out, and for some people, it’ll just be a blip, and (they’ll) think it’s not for me, and that’s how it is.”

The record in discussion at the moment is the second, unexpected album from No Devotion, a band that emerged from the ashes of horrible tragedy and released my favorite album of 2015. And not to stomp on Rickly’s genuine humility, but No Oblivion is much more than a blip for some, an album that many people did not think would ever get made, Rickly included. The fire reignited when guitarist Stu Richardson sent Rickly a demo for their rousing, intense first single, “Starlings.”

“I was obsessed with it,” he recalls. “I didn’t’ think I was going to do anything with it, but whenever it rained, and I’d take a cab—when people were still taking cabs in New York—I’d put it on in the back of the cab and think, ‘This is the kind of music I wish I was making right now.’”

They ruminated various plans for the song, but ultimately decided that it should be a No Devotion song after the magic they felt when they played it with guitarist Lee Gaze.

“We thought, maybe we’re not done with No Devotion yet,” Rickly says, shrugging with a big smile.

The haunting result is a refined collection of eight harmonious songs that returns to the art of the album where every single song is there, in that spot, and in that order, for a very good reason that was discussed at length.

But most importantly, it’s the first album, in nearly 30 years as an artist, that Rickly has been sober and made a piece of work with vulnerability and cobalt beauty aching from every line sang by the shadowy artist whose voice has never sounded stronger, more gripping. This is from an artist who already captivates listeners and audiences around the world, an insatiable creator whose beautiful words and melodies and screams have gotten many of a sufferer through dark times—myself included.

And while they wrote much more than eight tracks for their second record, No Devotion kept returning the original songs which were created during an intense two-week flurry of creativity when the trio reunited. (There’s also a record’s worth of 10 songs that he “loves” but kept off of No Oblivion and is still deciding what their fate will be.)

“We thought it was a really short record, but every song we added would throw off the balance… making it too long and too dark, or if we brightened it up with a big pop song like from the first record (Permanence), it didn’t fit and kind of ruined the mood.”

Rickly is mostly known for his visionary work in Thursday who is still playing shows, but not ready to create new music.

“The reason I think No Devotion kept going is because Stu and Lee and I have this really intense ability to know what each other’s thinking and push in the same direction for a song—it makes writing a real pleasure,” he says. “With Thursday, we all see it going in different directions and writing a song is like a street fight. Every single time.”

He laughs.

“So the fact that Thursday is working at all right now and playing shows and having fun and loving each other and getting along, is such a newer development,” he admits. “I wish I was joking. We all love each other, which is the crazy thing.”

What’s behind the album title and the second track, “No Oblivion” come from?

Well, we had this song first and I think a lot about this band in visual terms—for every song, there’s different projections, and I think there’s going to be a video for every song on this record… My partner’s a director, so we work on a lot of stuff together. I was thinking about how much I would love to have a song that’s just a list… a list of “nos” and see how that played out.

So that was how the song came about, and we kept on playing with versions of the album cover that were just the words for the No Oblivion song, and the graphic designer mentioned why “No Oblivion” works so well typographically is because it’s the same number of letters as No Devotion, the band name, so all there were all sorts of possibilities that opened up; we thought maybe we shouldn’t keep it as the cover art and make it the name of the record. Then we thought about what the title No Oblivion implies, and it seemed to really fit.

What does it imply for you?

A double-negative is sort of like a gesture towards the positive…so a rejection of nihilism or a rejection of death and drug use. The years before I started working on this record were pretty dark for me, and this is first music I’ve made sober. I’m almost five years in, so this a really raw experience for me.

Congratulations on five years—That’s big.

Thanks, it’s coming up in November.

Is it a lot different writing music sober? Is it harder?

I’ve heard a lot of people talk about how it’s harder to let go, but I found it to be quite the opposite for me—That for me it’s harder to reign it in. I’m feeling a lot more clearly, and I have to be careful about sculpting them into something that’s art and not just an outpouring of feeling.

We do want our art to have artifice because that’s where you lose yourself in it. There’s this idea that’s become popular in culture: for the performer to use masks so that they can lose themselves and become who they really are. I think there’s a certain element of that in lyrics and songwriting… if you can use a device or structure or something that makes it not just your incredibly specific life experience, then not only can the listener find themselves more clearly in the emotional experience—because it’s more oblique and they can find an entry point—but as a singer and as an artist, you can find yourself more clearly in it.

When we try to say exactly how we feel, I think it’s very easy to misrepresent ourselves. Whereas if we try to make it a little more oblique, then it finds us through a more subconscious route… I think, quite often, it is much more honest than being honest.

With this honesty and your sobriety, how therapeutic was making this record for you?

The most therapeutic thing for me since I got sober is being of service to people… so sponsoring other guys, setting up chairs. A lot of the most mundane tasks can become quite therapeutic when they’re done in service of something greater than yourself. So, I really found that to be my therapy. With (the album), I found it to be more therapeutic in the sense that in the past, I’ve always been quite self-conscious of my own ability… I’m known as a singer who’s tone deaf or can’t sing—it’s a criticism that I’ve heard for a lot of my life.

I don’t necessarily disagree, but I also recognize that there’s something that I communicate that seems to resonate with people and that’s why I’ve been able to do this for 25 years. There have been so many better singers than I am, technically, who don’t have careers and will never have careers. twenty-five years in popular music is like a unicorn. (laughs) It’s all about youth. I think it used to really eat me that I couldn’t put my finger on what it was I did, whether I was just incredibly lucky or if I actually had any talent or not. This record was a real turning point for me where I realized that I can sing; I do have talent; I do know what I’m doing… I now trust myself that I have the kind of taste that I want to hear.

I don’t expect everyone to see the world how I see it, and I don’t like stuff other people like. I’m kind of a hater. (laughs) I’m a real, old-school hater, and I don’t like that about myself but whatever—I just try not to be too much. (laughs)

This record sounds like a new beginning in a way.

Yeah, it’s basically a new band and starting from scratch. When we started Permanence, it was less of a new band because all of the artists involved had such a following, and that’s changed. It’s a different time, a different world; people aren’t waiting to see what Geoff from Thursday does next because Thursday’s still going. It’s just a whole different dynamic.

I’m just really appreciating everything I’ve been given… just being able to have a life as an artist at all. I’ve had 30-plus years of a career as musician. How many people in this capitalist world get to even have one job, regardless of it being rewarding? So I feel ok about whatever comes next.

So then are you feeling more content these days?

I don’t spend much time being content because there’s always something else I want to try, but I do feel that I’ve gotten so much more than I ever could have dreamed of.

[julez-fiction]

Top 10 Movies : Stuck in Time with You.

This list is made up of those movies that have two people(sometimes more) usually romantic interests, but could be friends or family, that are stuck in an extraordinary time travel or time loop situation together. Movie night just got better. Read on below for this interesting top ten 10 list.

1. Passengers, 2016

Sci-Fi / Romance

IMDb: 7/10

Rotten Tomatoes: 30%

Director: Morten Tyldum

Starring: Jennifer Lawrence, Chris Pratt, Laurence Fishburne

Synopsis:

On a routine journey through space to a new home, two passengers, sleeping in suspended animation, are awakened 90 years too early when their ship malfunctions. As Jim and Aurora face living the rest of their lives on board, with every luxury they could ever ask for, they begin to fall for each other, unable to deny their intense attraction until they discover the ship is in grave danger. With the lives of 5,000 sleeping passengers at stake, only Jim and Aurora can save them all.

2. Palm Springs, 2020

Sci-Fi / Fantasy

IMDb: 7.4 / 10

Rotten Tomatoes: 94%

Director: Max Barbakow

Starring: Andy Samberg, Christin Milotti,Camila Mendes, J. k. Simmons

Synopsis:

Stuck in a time loop, two wedding guests develop a budding romance while living the same day over and over again.

3. The Fare, 2019

Romance / Thriller

IMDb: 6.2 / 10

Rotten Tomatoes: 100%

Director: D.C. Hamilton

Starring: Brinna Kelly, Gino Anthony Pesi

Synopsis:

When a charming woman climbs into his taxi, a taxi driver finds himself entranced until she disappears without a trace. When he resets his meter, he is brought back to the moment she first climbed into his cab, starting an endlessly repeating loop.

4. 6:45, 2021

Psychological Thriller / Thriller

IMDb: 3.9 / 10

Rotten Tomatoes: 69%

Director: Craig Singer

Starring: Augie Duke, Thomas G. Waites, Shasha K. Gordon, Ray Mancini

Synopsis:

A romantic weekend getaway turns into a demented cycle of terror when a couple find themselves living the same horrific day over and over again.

5. Enter Nowhere, 2011

Mystery / Thriller

IMDb: 6.5 / 10

Rotten Tomatoes: -

Director: Jack Heller

Starring: Scott Eastwood, Sara Paxton, Katherine Waterston

Synopsis:

Three strangers arrive one at a time in a remote cabin, and learn they have been brought together for a reason.

6. Edge of Tomorrow, 2014

Sci-Fi / Action

IMDb: 7.9/10

Rotten Tomatoes: 91%

Director: Doug Liman

Starring: Tom Cruise, Emily Blunt, Bill Paxton

Synopsis:

When Earth falls under attack from invincible aliens, no military unit in the world is able to beat them. Maj. William Cage (Tom Cruise), an officer who has never seen combat, is assigned to a suicide mission. Killed within moments, Cage finds himself thrown into a time loop, in which he relives the same brutal fight -- and his death -- over and over again. However, Cage's fighting skills improve with each encore, bringing him and a comrade (Emily Blunt) ever closer to defeating the aliens.

7. Source Code, 2011

Sci-Fi / Action

IMDb: 7.5 / 10

Rotten Tomatoes: 92%

Director: Duncan Jones

Starring: Jake Gyllenhaal, Michelle Monaghan, Vera Farmiga

Synopsis:

Helicopter pilot Colter Stevens (Jake Gyllenhaal) is part of a top-secret military operation that enables him to experience the last few minutes in the life of Sean Fentress, a man who died in a commuter-train explosion. The purpose of Colter's mission is to learn the identity of the bomber and prevent a similar catastrophe. As Colter lives Sean's final moments, he becomes more certain that he can prevent the first tragedy from occurring -- as long as he doesn't run out of time.

8. The Endless, 2017

Horror/Thriller

IMDb: 6.5/10

Rotten Tomatoes: 92%

Director: Aaron Moorhead and Justin Benson

Starring: Aaron Moorhead, Justin Benson, Callie Hernandez, Tate Ellington

Synopsis: Two brothers receive a cryptic video message inspiring them to revisit the UFO death cult they escaped a decade earlier. Hoping to find the closure that they couldn't find as young men, they're forced to reconsider the cult's beliefs when confronted with unexplainable phenomena surrounding the camp. As the members prepare for the coming of a mysterious event, the brothers race to unravel the seemingly impossible truth before their lives become permanently entangled with the cult.

9. The Map of Tiny Perfect Things, 2021

Romance / Fantasy

IMDb: 6.8/10

Rotten Tomatoes: 76%

Director: Ian Samuels

Starring: Kyle Allen, Kathryn Newton

Synopsis:

The Map of Tiny Perfect Things is a 2021 American science fiction romantic comedy film directed by Ian Samuels, from a screenplay by Lev Grossman, based on his 2016 short story of the same name. It stars Kathryn Newton and Kyle Allen as two teenagers stuck in a time loop.

10. Repeaters, 2010

Thriller / Sci-Fi

IMDb: 5.7/10

Rotten Tomatoes: 20%

Director: Carl Bessai

Starring: Amanda Crew, Dustin Milligan, Richard de Klerk, Benjamin Ratner

Synopsis:

Three people find themselves in an impossibly confusing time labyrinth, where each day they wake up to face the same horrors as the day before.

[foundry-fabrications]

These have recieved yet another rework and are now outdated! You can find the new version HERE!

Howdy, all! Sorry for the lack of posts lately. My internet has be out for the better part of 3 weeks so progress on things came to a crawl. But, things are back to normal so let’s get to the brew!

The Ostian Repeaters from Dauntless was one of my earlier brews and they were relatively new when I converted them. Since then, they’ve come a long way and changed quite a bit, warranting an update. So I’m glad to finally give them the update they so desperately needed, and I'll likely be doing similar updates to the other Dauntless brews I've done before. I’m also going to be using them in campaign I’m in, doing a bit of playtesting defeating people with the power of the Raven Queen...and this gun I found.

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[perkinsparadise]

Emily Perkins in Repeaters

2010

[pencilbrony]

Repeating cannons, for large robots