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Various food court selections from the book, Food Presentation & Display by Martin Pegler (1992)

Myrtle Square Mall - designer not listed (1988/1989)

Killeen Mall - designed by Clyde M. Wess

The Arcade at Champlain Mall - designed by Gervais-Harding & Assoc. Design Inc.

Shawnee Mall - designed by Omniplan of Dallas, TX

The Fashion Mall (Plantation, FL) - designed by RTKL Associates

Pecanland Mall - Monroe, LA - designed by Architecture Plus

Food Court at Caribbean Beach Resort - designed by Fugleberg Koch Architects

Union Station food court (Indianapolis) - designed by Tony L. Horton Design, Inc.

Alexandria Mall (Alexandria, LA) - designed by Wudtke, Watson, Davis, and Engstrom

The Arcade at Champlain Mall - designed by Gervais-Harding & Assoc. Design Inc.

#design #interior design #interiors #architecture #colorful #my scans #90s #1990s #80s #1980s #food court #shopping mall #mall #retail design #shop

Stores of the Year 6 (1991) Martin M. Pegler Video Concepts/McDuff Ridgmar Mall, Fort Worth, TX Design: Design Forum, Dayton, OH

#Stores of the Year 6 (1991) Martin M. Pegler #1990s #retail design #interior design #shopping mall #mall #department store #90s #stores #retro design #90sinterior #90sdesign

#retail design #interior design

Long, long ago, when I designed things for Target (for 27 years 😳) I was almost always designing in Red and Shiny, not two of my favorite elements. I am very much a green, peeling, rusty person. The environment there at HQ was very red too, but I was fortunate that I had a private studio over the downtown Minneapolis store where I and a few people I adored worked. We had big old metal Barney Miller desks, which I loved, and lots of plywood. We had to indulge in red, but I made a huge plywood wall above my desk, and it became a sort of shrine for me, a tribute to things that I loved that were red. It had pigeons living up on top, because I love pigeons.

Traveling a lot for my work there, I would always watch for lovely small red things for my wall. China was a great resource for unassuming, pretty red objects. When I left Target for good, I left the vast majority of these items behind, in their well-earned spots, to haunt the space in my absence, and brought with me only a very few with great sentimental meaning.

Also, I had this enormous print of this note that I bought at a Maira Kalman exhibit in SF, about Marcel Proust’s cane, because I was always losing my cane at work.