#richardhamilton

[instructionsonback]

"DAMN SHEED" tee — The Corner®

Another day, another technical foul, damn sheed chill out, we need you in the game ! lol.

"04' BRUISERS" tee — The Corner®

Finally back in Championship Territory, the Twin Towers of the Paint went out every night to assert their dominance, accompanied w/ a fro an

[asalvadorsala]

The critic laughs, 1971–2 #RichardHamilton https://www.instagram.com/p/CpLB0KxKZxa/?igshid=NGJjMDIxMWI=

[moma-prints]

Untitled from Five Tyres remoulded, Richard Hamilton, 1971, MoMA: Drawings and Prints

Abby Aldrich Rockefeller Fund for Prints Size: sheet: 23 5/8 × 33 7/16" (60 × 85 cm) Medium: Screenprint from a portfolio of seven screenprints, one rubber relief, and one collotype

http://www.moma.org/collection/works/407941

[bm-contemporary-art]

A Portrait of the Artist by Francis Bacon, Richard Hamilton, 1970-1971, Brooklyn Museum: Contemporary Art

Size: Sheet: 32 1/8 x 27 1/4 in. (81.6 x 69.2 cm) Image: 21 5/8 x 19 3/4 in. (54.9 x 50.2 cm) Medium: Silkscreen on collotype

https://www.brooklynmuseum.org/opencollection/objects/97848

[simon-martin]

We’re keeping our fingers crossed that we’ll be able to re-open @pallanthousegallery next week subject to tomorrow’s announcements about the tiers. Our team have been busy these past few weeks installing our new exhibitions including ‘Richard Hamilton: Respective’ which explores the influence of Marcel Duchamp and international modernism on Hamilton’s work. Here’s a picture I took of our Head of Exhibitions Louise Weller with the Duchamp/Hamilton collaboration ‘Oculist Witnesss’. So there’s much to look forward to once we reopen. #richardhamilton #modernbritishart #pallanthousegallery #behindthescenes #marcelduchamp #exhibitions (at Pallant House Gallery) https://www.instagram.com/p/CIB1s8AFnXj/?igshid=1v3tukc92zqk5

[ellawilliamsartblog]

This is a collage depicting 2020, inspired by Richard Hamilton’s more recent works. When studying Hamilton, I discovered that in 1992 he had digitally remade his well-known 1956 collage, ‘Just what is it that makes today’s homes so different, so appealing?’. In this remake, he changed the collage so that it captured the issues and pop culture within the decade. Inspired by this, I decided to create an interior collage that captures the issues prevalent within 2020. Looking back, the images I chose in February were a great snapshot in time. Because so many more problems developed throughout the year, it is interesting to look at the events of February and how they escalated. 

I decided to show an image representing the coronavirus crisis in China, because at the time I felt that it had a large amount of coverage in the media, but many people seemed ignorant to the fact that it could affect them. Other symbols include the framed photograph of Harvey Weinstein which has slightly fallen. This was to represent the fall of Weinstein in the midst of sexual abuse claims at the time, and how Hollywood gives rich men, like Weinstein, too much power.

[vortexstreet]

Richard Hamilton, My Marilyn, (detail), 1965, Tate Modern, London. Photo by Simon de Pury

[tropiquedessilences]

Richard Hamilton - Study for a fashion plate - b 

1969 - collage, email, paillettes

68,1 x 49,7 cm. - collection particulière