Great little midcentury curly font. (As we've established, vintage stocking packages are pretty much the best for observing the design aesthetic of a given era.)


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Great little midcentury curly font. (As we've established, vintage stocking packages are pretty much the best for observing the design aesthetic of a given era.)
US Vogue October 1980
Givenchy for Round-The-Clock
US Vogue October 1980
Yves Saint Laurent Haute Couture Fall/Winter 1980-81 Collection.Brooke Shields wears a fitted, peplum black silk velvet (Moreau fabric) two-piece with a black fox fur hat. Tights: Round-the-Clock. All other accessories: Yves Saint Laurent. Editor: Polly Mellen; hair: John Sahag; makeup: Way Bandy.
Yves Saint Laurent Collection Haute Couture Automne/Hiver 1980-81.Brooke Shields porte un deux-pièces en velours de soie noir (tissu Moreau), ajusté et à basque, avec un bonnet en renard noir. Collants, Round-the-Clock. Tous les autres accessoires, sont signés Yves Saint Laurent. Éditrice, Polly Mellen, coiffure, John Sahag, maquillage, Way Bandy.
Richard Avedon
US Vogue November 1974
Karen Bjornson wears a kimono top over a loose-fitting blouse with flowing, airy sleeves, belted over a matching ecru and black floral-print crepe skirt. Designed by Donald Brooks, in acetate and rayon (Onondaga fabric). Hair by Pascual. Accessories: K.J.L. hair clip, M&J Savitt bracelets, Sylvia Agostini necklace for Findings, Round-the-Clock tights, sandals by David Evins.
Karen Bjornson porte un haut de kimono, sur un chemisier ample aux manches souples et vaporeuses, est ceinturé sur une jupe assortie en crêpe écru et noir à imprimé floral. Création de Donald Brooks, en acétate et rayonne (tissu Onondaga). Coiffure; Pascual. Accessoires : pince à cheveux K.J.L., bracelets M&J Savitt, collier Sylvia Agostini pour Findings, collants Round-the-Clock, sandales, par David Evins.
Photo Kourken Pakchanian
US Vogue July 1973
Lauren Hutton wears a black wool gabardine suit. By Bill Blass. Silver fox boa, by Blassport, chains, Donald Stannard, bracelets, Michael Danyon. Black tights, Round-theClock. Herbert Levine sandals. Ara Gallant. Editor, Polly Mellen.
Lauren Hutton porte un tailleur en gabardine de laine noire. Par Bill Blass. Boa en renard argenté, par Blassport, chaînes, Donald Stannard, bracelets, Michael Danyon. Colllants noirs, Round-theClock. Sandales Herbert Levine. Ara Gallant. Èditrice, Polly Mellen.
Photo Richard Avedon vogue archive
US Vogue March 1, 1967
Marisa Berenson in a geometric black, taupe, and creamy white dress. An Onondaga silk print. By Jacques Tiffeau for Tiffeau & Busch. Lycra and nylon stockings, Round-the-Clock. Hair by Kenneth.
Marisa Berenson dans une robe tout en géométrie, noir, taupe et blanc crème. Un imprimé en soie Onondaga. Par Jacques Tiffeau pour Tiffeau & Busch. Bas en lycra et nylon, Round-the-Clock. Coiffure par Kenneth.
Photo Irving Penn voge archive
US Vogue July 1973
Lauren Hutton wears a short black silk jersey dress from Saint Laurent Rive Gauche, high-heeled sandals. By David Evins and sheer black tights, Round-the-Clock. Editor, Polly Mellen.
Lauren Hutton porte une robe courte en jersey de soie noire de Saint Laurent Rive Gauche, des sandales à talons hauts. Par David Evins et des collants noirs transparents, Round-the-Clock. Èditrice, Polly Mellen.
Photo Richard Avedon vogue archive
US Vogue June 1982
Joan Severance wears an airy striped silk crepe dress, “wrapped” by the surprise of matching shorts. Lafitte fabric. By james Galanos. Earrings and bracelet, Karen Harris, tights, Givenchy for Round-the-Clock, pumps, Charles Jourdan. Hair, John Sahag: makeup. Alberto Fava.
Joan Severance porte une robe aérienne en crêpe de soie rayée, « enveloppée » par la surprise d'un short assorti. Tissu de Lafitte. Par james Galanos. Boucles d'oreilles et bracelet, Karen Harris, collants, Givenchy pour Round-the-Clock, escarpins, Charles Jourdan. Coiffure, John Sahag : maquillage. Alberto Fava.
Photo Bill King vogue archive