Bruce Dickinson: The Chemical Wedding (1998)
Having failed to satisfy fans with his experimental solo adventures on 1996’s Skunkworks, a newly pragmatic Bruce Dickinson re-commissioned his signature air-raid siren, recruited fellow Iron Maiden man-in-exile Adrian Smith, and set out to beat his old pals at their own game.
With special assistance from producer/guitarist Roy Z, ‘97’s warmly received Accident of Birth not only showed that Dickinson and Smith still had it (*), but encouraged them (plus bassist Eddie Casillas and drummer David Ingraham) to double down on the following year’s The Chemical Wedding.
Heck, it would be fair to say that Dickinson and crew were openly trying to out-Maiden Steve Harris and co. here, leaning heavily on the works of William Blake (even the cover art replicates Blake’s unnerving painting, The Ghost of a Flea) for added inspiration.
So, are you looking for historical head-banging (“Jerusalem”), old testament action (“Trumpets of Jericho,” “The Tower”), and heretical poetry (“Book of Thel”)?
Natural philosophy (“The Alchemist”), gothic mystery (“King in Crimson”), and even a few epic numbers, full of quasi-progressive passages and time-changes?
Of course, not everything here hits the mark (“Gates of Urizen” is one Blake mythos too many), but I haven’t even mentioned my three favorite songs yet: twin heavyweight champs, “Killing Floor” and “Machine Men” (both, not coincidentally, Dickinson/Smith co-writes), and the spectacularly morbid title track.
“And so we lay, we lay in the same grave ...
Our chemical wedding day”
This doom-laden power ballad incorporates psychedelic and neoclassical nuances behind lyrics based on a 17th Century Rosicrucian manifesto known as the Chymical Wedding of Christian Rosenkreutz for one of Dickinson’s signature performances, with or without Iron Maiden, and that’s obviously saying something!
For all these reasons, I’ll always cast my vote for The Chemical Wedding as Bruce’s greatest solo work, and I’ve no doubt it’s excellence helped accelerate the inevitable ego submission required for remarrying (if you’ll forgive the pun) Iron Maiden’s classic quintet (plus one) on 2000’s Brave New World.
Oh, and here’s a big “thank you!” to Roy Z, for his invaluable assistance to the cause.
p.s. -- Exactly a decade after this album’s release, Dickinson authored the screenplay for a science-fantasy horror film called Chemical Wedding, but the story is apparently unrelated to the song.
* I saw it with my own eyes at Chicago’s House of Blues, in September of ‘97.
More Bruce Dickinson: Accident of Birth; Samson’s Head On & Shock Tactics; Iron Maiden’s The Number of the Beast, Piece of Mind, Powerslave, Live After Death, Somewhere in Time, Seventh Son of a Seventh Son, Brave New World, Dance of Death.