Blake Journeys to Partnerships
tagging @natassakar because they got an early preview!
seen from China
seen from United States
seen from United States

seen from China
seen from France
seen from Malaysia
seen from Russia

seen from Malaysia
seen from Yemen
seen from Pakistan
seen from South Korea
seen from United States

seen from Kazakhstan

seen from Germany
seen from United States

seen from United States
seen from United States
seen from Netherlands

seen from Malaysia

seen from United States
Blake Journeys to Partnerships
tagging @natassakar because they got an early preview!
Sherlock “Usain Bolt” Holmes
Soundtrack: So we dance...
Partial lyrics for “Alors On Danse Remix (feat. Kanye West and Gilbere Forte)” by Stromae. Josephine is dancing to the original version on the S6x05 Soundtrack.
Cinematography (2?1)
I left my baby sister out there to die
This crossfade happens as everyone leaves the Sanctum reliquary after the big reveal. Bellamy is alone, and his thoughts turn to Octavia.
How much weight can this man carry?
The Crucible
She Deserves to Be Happy
Cinemetography (2/?)
Color choices set the mood and tone in film. Red is used to convey love, warmth and happiness, but also passion, lust, power, and rage. If a character is wearing a red dress, she is evoking one of those emotions. Green is used to express nature, calm and peace, but can also signal sickness, rot, envy, and jealousy.
Used together, they convey a sense of magical realism - that something uncanny and not to be trusted with the senses is going on in the scene. I was building a post comparing how these colors are used in Season 6 to John Wick, Vertigo, and Amelie, but I decided to put it aside in favor of this one.
As we’ve seen, the fern and forest setting of Alpha where our heroes landed and all of Sanctum is portrayed in varying shades of red and green. The psychosis scene was set against a backdrop dripping with these colors.
This gif is a vibrant example of this color convention - look how happy Clarke is, finally - she deserves it! But all is not what it seems. Given what we know about Clarke’s host potential... I’m thinking this is Josephine, dancing in her studio and painting a self-portrait.
Josephine vs Ford Sterling in Barney Oldfield’s Race for a Life (1913): One-dimensional Mustache Twirling Villains
Sherlock’s chicken stickers