Honestly? The last time I felt the way I'm feeling right now about Lyonel Baratheon was back when RDR2 came out and Arthur Morgan was my north star for about six months. Like, fucking hell, man. What do I do with myself?
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Honestly? The last time I felt the way I'm feeling right now about Lyonel Baratheon was back when RDR2 came out and Arthur Morgan was my north star for about six months. Like, fucking hell, man. What do I do with myself?
The more time goes on, the more I realise that the kids in Jurassic Park handled that shit really, really well.
Fallout: New Vegas mod where it adds two Legion characters/companions heavily based on Lucius Vorenus and Titus Pullo from the 2005 HBO series, Rome. They randomly affect your luck and standing with factions by being around you. Their dialogue to your party strongly implies that two actual ancient Romans have been yoinked forward in time and are trying to get real cool with a lot of things real quick.
Warhammer 40.000. Just packed full of complete Specimens. Like. I had to define why characters like Perturabo and Mortarion pull me in as much as they do...I want to view all the fuckery they achieve with their Situations from behind a fence. Not unlike the T-Rex from Jurassic Park, and I wouldn't even get mad about suffering the inevitable Jurassic Park consequences. Fascinating, just to watch them. Causing problems.
Rexy thinks that, in certain circumstances, humans can ignite and detach parts of themselves to throw.
She hasn't quite settled on what stimuli causes that reaction but, once she gets to test her theories, she's gonna work it out and it's going to rock the field of post-paleo mammology.
The Rim of the World was a hell of a lot more fun to see than I thought it was going to be. Like, silly as hell and good with it. Reminded me to get out my own arse a bit and that I’m not too grown-up to enjoy that stuff. Colourful, too: each location had it’s own distinct colour palette and I thought that has stylish as hell.
I listened to some Redwood Bureau and had a draft where I started talking about it, but I left off listening for a while and lost the thread of where those thoughts went. So, some things I remember stuck out to me (and spoilers for the earliest episodes, I guess):
The monsters in "HIDER" and "STAGIS" hit similar beats: they're both some kind of mimic/puppeteer monster that we're introduced to through the body of a deer, and the stories are both fairly gory. One creature seemed to be more frenzied and animalistic in its actions; motivated by the need to hunt. The other felt more inscrutable, and I think it wanted to spread. One ambushed, the other stalked. I want to put these into my personal bestiary, for if I need bring a monster into something real quick.
"DRYER" - the narrator accidently buys and activates a time machine - and "UNREAL" - extradimensional VR headsets - both felt a lot like stories that I would have found in those strange tales anthologies I used to read a lot in school, in the vein of that Roald Dahl short where the landlady taxidermies people. Actually, "DRYER" reminded me of Robert Westall's short story writing (shout out anyone else that read "The Machine Gunners" in class) and I think I liked it more because of that.
"OLD MAN WINTER" is another monster/curse that I want to put in the bestiary. He's like if a White Walker could body hop. My favourite thing about this guy is that one of the signs of his coming is that he sings "Baby, It's Cold Outside", and their best conclusion about why is that he just likes it. The draugr has musical preferences.
I like how, normally, in stories the way that you put a ghost to rest is to help it go to the Other Side with the rest of the dead. But in HDM they're putting the ghosts to rest by bringing them back to the land of the living.