Herzog & de Meuron, Wohn- und Geschäftshaus Schwitter
Basel, Switzerland, 1987-1988
Ph. © Giorgio Azzariti (Architektur Basel)


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Herzog & de Meuron, Wohn- und Geschäftshaus Schwitter
Basel, Switzerland, 1987-1988
Ph. © Giorgio Azzariti (Architektur Basel)
#collage
#Peekskill
#HudsonValley
#WestchesterCounty
#SchwittersArmy
#Sarquhar
#Scotland
#KolajMagazine
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Second row, fourth from the left.
“The Queen of Hearts Keeps the Coupon”
February 2020
Included in the “Schwitters’ Army” exhibit in Scotland.
http://rickasinikadour.com/main/art/schwitters-army
er bekam einen dichtkrampf?
Schwitter, Kurt. Plate 5 from Merz 3. Kurt Schwitters 6 Lithos. Merz Portfolio. First Portfolio of the Merz Publisher (Merz 3. Kurt Schwitter 6 Lithos. Merz Mappe. Erste Mappe des Merverlages). 1923. Museum of Modern Art, New York.
Lithograph with collage additions from a portfolio of six lithographs, three with collage additions.
Ich kann mein Material in der Schreinerei Schwitter in Engelburg zuschneiden. Ich muss nicht mal etwas Zahlen, denn mein Göti ist mit ihm zur Schule gegangen. Es hat sich dann doch Herausgestellt, das Herr Schwitter sich nicht so gut an Mündliche Abmachungen halten kann: 27Sfr!? Und Herr Schwitter wohnt auch nur einige Meter von meinen Grosseltern entfernt.
DONAU UND DADAISMUS "Texte und Musik von 15 Autoren und vier Komponisten aus sieben Donauländern bieten eine abwechslungsreiche Klangreise, mit der das renommierte Stuttgarter Ensemble EXVOCO am Samstag, 20 Uhr, im Saal der Museumsgesellschaft Ulm (Neue Straße 85, Eingang Kramgasse) gastiert. Eigens für die Veranstaltungsreihe "Aufbruch von Ulm entlang der Donau" hat EXVOCO auf Einladung der Hauptabteilung Kultur der Stadt Ulm ein dadaistisches Programm zusammengestellt. Der Fokus liegt auf den historischen Avantgarden, an denen Künstler aus den Donauländern maßgeblich beteiligt waren. Neben Gedichten von Ernst Jandl, Kurt Schwitters und Oskar Pastior finden sich im Programm von Exvoco auch Stücke weniger bekannter Dichter wie der Rumänen Ghérasim Luca und Isidore Isou. Dazu erklingt Musik aus dem künstlerischen Umkreis der Dichter, komponiert von Größen wie Arnold Schönberg und György Kurtág. Die Klavierwerke werden von Urs Liska interpretiert."
Südwest Presse, 25. 10. 2012
Finding the Origins of My Influences
In the search for resources for my study of Art Education, I notice that the in shift in my focus from Artist to Artist who Teaches has changed the way I look at other artists and also art in general. It has given me a chance to reflect on my own story as an artist. Much like studying curriculum theory and pedogody has shifted the way I observe children as they learn, studying Art as Education has changed the way I look at myself as an artist.
One of the way it has become evident is in discovering some of the origins of my artist style and aesthetic. I often cite Robert Rauschenberg as one of the biggest influences to own style of Art along with Johns and other Assemblage/College artists, but knew little of who influenced them as artists.
Looking through a History of Modern Art Book, I can across a abstract painted wood collage piece by Kurt Schwitter.
Right way I would struck by his work and was reminded of the work of Rauschenberg et al. The collage of shapes, materials and colors spoke directly to my own use of mixed media and abstraction. Doing a little research I discovered that Rauschenberg is quoted as saying after seeing an "exhibition of Schwitters' work at the Sidney Janis Gallery, 1959, that 'I felt like he made it all just for me.' " (1)
I love the journey backwards finding all the paths to my style and knowledge! I am also really loving on Klee.
I found a small book written Children about his work, from the Boston Museum of Art.... his work speak so much to elementary and early development of art style and language.
1. Quoted in Rauschenberg/Art and Life, Mary Lynn Kotz, Harry N Abrams, p91