“Recrear hechos recientes de la historia (que rápidamente se olvidan) para generar una consciencia colectiva, activa y explosiva”
ADELA GOLDBARD en TYFL --- última parte!

seen from United States
seen from United States
seen from China
seen from United States

seen from Canada

seen from United States
seen from United States
seen from Norway

seen from South Africa
seen from Canada
seen from Canada
seen from United States
seen from Canada
seen from United States
seen from United States

seen from Germany
seen from Türkiye
seen from United States
seen from China
seen from Canada
“Recrear hechos recientes de la historia (que rápidamente se olvidan) para generar una consciencia colectiva, activa y explosiva”
ADELA GOLDBARD en TYFL --- última parte!
“Es parte de nuestra labor como fotógrafo/videoasta incursionar en espacios y documentar cosas que las demás personas no tienen acceso --y que nosotros tampoco, pero lo encontramos”
ADELA GOLDBARD en TYFL / parte 2
TYFL - Entrevista a Carlos Uriona, Double Edge Theatre
What do you remember most fondly about Foo Fests past? Oh, so many things – what I love is that the core focus is on LOCAL artists and local entrepreneurs and food vendors, so you walk in and see all these folks who are involved with the community. It’s a great snapshot of what’s going on locally
Artist Profile in Motif Magazine, RI
“Unfortunately, as we all know, that’s not a unique situation,” said Shey Rivera, artistic director of AS220, an arts center in Providence, Rhode Island, during her keynote speech Friday before an audience of Latino artists and arts administrators gathered at the Guadalupe Cultural Arts Center for the National Association for Latino Arts and Culture’s 30th Regional Arts Training Workshop. Rivera was referencing the recent controversy that erupted when the Guadalupe withdrew as the host of the 2016 Contemporary Art Month Perennial exhibition in March because of a lack of Latina artists in the all-female show. Hernandez said she and Gamez are hoping to tour the show to keep the conversation about representation going and “to (make) sure that it’s a priority on people’s minds and that it didn’t just spark and fizzle out.” Cultural organizations like the Guadalupe arose in the 1970s and early 1980s because “very deserving, very legitimate (Latino) artists were having a hard time sort of penetrating into mainstream arts and culture institutions,” said Jerry Ruiz, executive director of the Guadalupe. “Right now, the single most important thing, the biggest issue facing the Latino arts field is this issue of cultural equity, of us not having the resources that we need to help artists to produce work, maintain the work, for our organizations to really be able to thrive,” de León said.
Key Note Speaker at the National Association of Latino Arts and Culture, in Detroit, MI
Sheyla (Shey) Rivera Rios was born in Puerto Rico. Leaving her homeland some seven years ago, she landed in Providence at the advice of a mentor. With a new role as artistic director at AS220, her creative passion is as deep as her Caribbean roots. Bienvenido! Fantasy island is a combination of w
Despite its humble beginnings — it was founded in a former storage room in the Providence Performing Arts Center in 1985 — AS220 now ranks
Llegamos a Santiago, Chile