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20 minuti di Yoga per aprire e tonificare tutto il corpo!
Ciao in questo video ti mostro una pratica di soli 20 minuti per aprire il tuo corpo dalle anche al petto e tonificare braccia, spalle, glutei, addominali e gambe! E’ una pratica che puoi fare in qualsiasi momento della giornata o quando più ne hai voglia! Buon divertimento!
Namasté!
Una breve pratica da fare a letto!
Ciao in questo video ti mostro una breve pratica che puoi realizzare direttamente a letto con il tuo cuscino..sia la mattina appena svegli o la sera prima di addormentarsi..sono solo circa 15 minuti che possono però dare davvero una marcia in più alla tua giornata che sia appena finita o appena cominciata :) Buona pratica!
Namasté!
A Package for Otis (Short Sequence done for an advanced 3D Animation class, Fall 2013)
Shots by animator in order:
Mickie Vannier Kendra Thoms Nicki Yee Grace Lacuesta Eddio Tseng Kimberly Mucha Youri Decker
Stewart character used with permission (© Animation Mentor 2013). No endorsement of sponsorship by Animation Mentor. Stewart can be downloaded here. - See more here
Music: "Passion" by Hot Club of Detroit
DB2 - Moving Material
[If you prefer to view this design brief on a separate HTML page… click here!]
2.1
Motion Graphic intro to Catch me if You Can from Unverted G on Vimeo.
Catch Me If You Can, produced by Nexus Productions (creative directors: Olivier Kuntzel and Florence Deygas.)
This sequence really moves me. The use of typography is very dynamic throughout the piece. The ascenders and descenders of the different type become part of the landscape and are often used as a grid. The words appear and disappear based on those lines, as if it was following a path traced by them. This sequence tells the story of a character who is on the run. The different types are sometimes helping him to hide, to change his disguise or simply to escape faster. In that sense, typography really supports the narrative of this piece.
I also appreciate this piece because it proposes a balanced mix of analog within a digital production. All the characters were made with rubber stamps, which are inducing a kind of materiality into the final digital product. Lastly, as we already discussed in class, this sequence is a kind of homage to the work of Saul Bass, which gives it a nice aura.
2.2
About:
The idea for this sequence came from a reflexion on words and what they really mean. I came to the conclusion that words alone don't give the full meaning. That goes for spoken and written language, and can also partially explain why language is so rich. However, miscommunication can also happen when something is quoted outside of context.
Even though words have a range of meaning, the amount of definitions connected to one word can be easily go from 1 to 75. In the sequence that I realised, I decided to show some of the different meanings of "word" and "words". This video plays on the notions of emptiness and fullness.
Last week when the work of Jenny Holzer was introduced to us in class, I noticed that her Truisms have some connections with what I have been doing here. In fact, the statement that I am using to open my video seems to content the same kind of paradox that Holzer is using her work.
Softwares: Adobe After Effects CS5 Audacity
Fonts: American Typewriter and Bounty Bold.
Sound Samples from: Robert Warrington / CC BY 3.0 nickleus / CC BY 3.0
Images: Scratched and scraped textures
Other resource used: Words | Define Words at Dictionary.com
