#siegmar

[septemberlikestea]

what race is siegmar ? he is very pretty …

hes an aasimar! though you cant really tell at a glance... and hes low level so no wings... but he can glow if he wants.

[postcard-from-the-past]

German actor Siegmar Schneider on a vintage postcard

[septemberlikestea]

its look at my son monday.

[spooksthedead]

[spooksthedead]

Vesania

[ketty-art]

Commission for Siegmar (melanistic jaguar-snow leopard hybrid)

[wowberlin-blog]

Berlin, 8th July (letter2 #siegmar)

Dears, dear Bettina, dear Silke,                                                                              

Proximity:

The atmosphere feels charged, maybe because it will rain soon. This is the last day of our writing residency and the last day of the festival. I rediscovered letter writing. Celine says it’s something poetical. Not so much because it is poetry but because it puts something into the world.

I feel what we have put into the world here are monsters. Creatures of proximities that want to show themselves. That come out into the light of our field. The performance field. And sometimes with these monsters it seems even work to keep themselves together. So diverse are the parts the are made of. I like the idea of our letters crawling, flying, sitting, sleeping, being and lettering.

Thank you Bettina and Silke for inviting us and making this possible.

Thank you everybody for this time. The Atmosphere feels charged in this room. And not just because it is thundering outside.

Love

siegmar

[wowberlin-blog]

Berlin, 8th July (letter1 #siegmar)

 Dear Litó, dear all, dear programmers, dear politicians, dear fellow citizens,

Dear Litó, you write: What we need is already here. What we want we are already doing.

NO and YES. I agree that each of us is individually sometimes collectively even doing things we have described here. This is why we write it and write about it, because we are doing it. And, I don’t think that what we need is already here. A friend, who I would like to see more, but we are rarely in Berlin at the same time, recently told me that she had a few weeks of paid residency here in Berlin. For that to happen she had to enroll in a master program abroad, pay a tuition fee, convince the program coordinators that it was important for her to be in Berlin for this part of the program and finally enjoy her work in Berlin. Isn’t that outrageous. Isn’t it outrageous that sommer.bar, a structure that was exactly working on creating conditions of exchange and sharing, doesn’t receive the appropriate support, isn’t it outrageous, that ALL applications that focused on research and communication of this research to a public did not get supported by the HKF with the argument that they don’t finance research.

Dear Litó you ask me if I don’t value what I do in Berlin?

I DO. AND I WANT TO GET PAID FOR THAT. So I don’t have to go away to earn money, so I can stay here and contribute to the entanglement, so I can spread the confetti and water the garden, my own and ours. This is exactly why I’m so interested in contributing to a discourse on performance practice, that finally becomes heard and finally cannot be overheard anymore. Until creating conditions for our work becomes an option here in Berlin.

Sincerely yours

Siegmar