Discover Top Posts Tagged with #sixft

i dont wanna see you, darling, six feet under

#8hrs #dallon weekes #idkhow #my art #sixft #idkhow fanart #gloomtown zine #does anyone care about this …..

gloom gloop !!!!!!!!!

#my art #digital art #fanart #art #idkhow #dallon weekes #i dont know how but they found me #idkhbtfm #dallon idkhow #dallon james weekes #gloom division #idiots of oz #sixft #gloomtown brats #gloomtown tour #idkhow art

all this pretense was meant to misrepresent you.

#sixft

Ah yes my favorite IDKHOW lyrics, “please, test that assumption and then take note of the results; I don’t wanna see you darling six feet underground”

#is this anything #idkhow #dallon weekes #roo speaks #sixft #roo’s queue

I Don't Want to See You Waving from the Gallows: Shifts in Obsessions through Self Reclamation

What once was split emerges through returned life to what was once dead. Underlying macabre imagery continues throughout the music scene as a method of expressing the uncanny and internal shifts in awareness, creating an experimentation and overarching theme that represents the duality of gloom and hopeful. Gloom Division utilizes experimentation through the swings between genres and brightly coloured visuals, and yet there remains an underlying darkness to the speaker's words. While there may be a slight step away from Subject A's turmoil in Razzmatazz, the underlying conflict regarding his sense of Self emerges through the stark contrast between what we see and what we hear. Instead of devoting his entire voice to Tellexx's values, Subject A veers away from it to seize control over the unnamed you figure. Similarities between "From the Gallows" and "SIXFT" reveal this shift in awareness and sense of self through the ironic placement of death imagery. The musical similarities place the pieces within a whole tone of each other, allowing us to juxtapose the lyrics to reveal the shift in voice and emergence of a unified speaker who no longer needs assistance with his ideals. Without Subject B to guide him, Subject A utilizes his voice and the split mindset to place himself in a position of power over himself and within Tellexx's and the Gloom Division's ideals, challenging them to try and force him into submission. Contrasting ideas of love and death bring two voices back to the narrative, forcing us to see Subject A as his whole self rather than simply a voice in the narrative. With this in mind, I believe that through the death imagery, both explicit and subtle, both songs reflect the speaker's shift away from obsessive commitment until he is the one with the power. While remnants of the past linger from the key signature and tempo, we see the Warner and Threatener return as a unified front to seize control of the narrative within Gloom Division and reverse the death of aura in his voice. In this essay I will-