Cartier's Pasha de Cartier Skeleton Flying Tourbillon...
Fine watchmaking today can be defined as the creation of timepieces which offer aesthetic beauty, technological innovation and the use of fine arts in the making of the timepiece. The art of skeletonization is most frequently found in high watcmaking timepieces, where the movement of the watch can be appreciated in all its refinement from the front and back of the timepiece. It is also one of the most challenging, as design, architecture and finishing are essential to the creation of a skeletonized watch.
Cartier does not practice skeletonization as defined in the past, but has instead taken a modern interpretation of skeletonization in its skeleton timepieces. In the last two years, it presented the Santos 100 Skeleton Tourbillon as well as the Rotonde de Cartier Skeleton Flying Tourbillon, both of which were based on the same movement, but different in execution.
For Cartier, skeletonization begins with the architecture of the watch. As a jeweler-watchmaker, the form of the timepiece is as important as the caliber animating it. It has always designed movements specifically to cater to the cases that it will equip, and the skeleton movements of Cartier attest to this style.
The skeleton movements are efficient as well as exquisite to behold, as the display is actually made out of the bridges of the movement and what you ee is the movement as a whole, fitted to the case and finished to high watchmaking standards. By carefully positioning various elements of the movement, it offers a complete view of the caliber from the dial side.
This year, the Pasha de Cartier is the recipient of Cartier's skeletonization, and the watch, animated by the 9457 MC caliber, definitely takes on a masculine touch. The Pasha de Cartier timepieces have generally been more classic and androgynous, even slightly feminine in style, but the Skeleton Flying Tourbillon seems driven to the gentleman, perhaps due to the strong hour indices which convey a powerful foundation for the timepiece. The flying tourbillon is fully exposed with Cartier's signature 'C' logo on the tourbillon, and diamond-shaped blue hands and the sapphire cabochon on the crown are the only hinds of color on the bridge-side.