1.) Attack on Titan The Final Season Hologram Tin Badge Set Mikasa & Levi
2.) Attack on Titan The Final Season Petitkko Acrylic Figure vol.2 Mikasa & Levi
Translation commissioned by @goldsword07, DO NOT REPOST in full, always include credits and a link to this post if you use or share any parts of it.
Question: Congratulations on completing Shingeki no Kyojin’s serialization! How do you feel now that you have finished writing the final chapter?
Isayama: There’s still some work left to do when it comes to putting together the final manga volume*, so I don’t actually know how a “life without deadlines" feels like yet (laughs), but by publishing the final chapter, I feel like I can finally breathe again. However, there are still several things that need to be done.
(*Translator’s note: usually, putting together a volume includes: fixing drawing mistakes, sometimes even redrawing certain scenes if the author wasn’t satisfied with how they looked/their composition, fixing text (both wording or simply changing the Japanese characters used), drawing omake/extra pages, like the High School Caste fake previews, which usually take up 2 pages, and so on. So, of the 8 extra pages he mentions below, probably only 6 at max will be used to add new original story content.)
Q: What?! What else is there to be done?
Isayama: At first, the draft for the last page of the chapter was neatly divided into 5 panels, but I was feeling quite indecisive about it. At the time, that last page was a scene of 3 people running towards a tree on a hill. After having a meeting about that with Bakku-san and my other editors, I decided on a last-minute change, and I turned it into the one that is now published in Bessatsu Shonen Magazine. The limit for each printed chapter in Bessatsu Magazine was 51 pages, but since up to 8 extra pages can be added in manga volumes, I want to finish up everything that I couldn’t draw in the printed magazine and add it in the final manga volume.
Q: As for the serialization, which spanned 11 years and a half, have there been any changes about the way you think about mangas?
Isayama: Up until recently, I had drawn as if sexism wasn’t a thing, but when drawing the Marleyan military, which was comparatively more modern, if I had added, with no explanation whatsoever, female soldiers like I did for Paradis Island, it could’ve given the impression that Marley was quite a developed nation. It would’ve felt out of place. That’s why, as long as I was drawing a story set in an era of the past, I couldn’t draw female characters as part of the top brass of the military, because it would’ve meant acting as if there was no actual history of gender discrimination at the time.
It might be a story set in a fictitious world, but if you don’t connect it in some ways to the real world, it could end up becoming a story people cannot relate to.
Q: The unraveling of events that led to the final chapter has been quite shocking. Especially when it comes to Eren…
Isayama: I have been frenetically checking any and all reactions to that. There are as many honest opinions as there are people, and they’re all correct. With how I portrayed that part, it’s not so strange that it was interpreted as if Armin accepted the massacre. My portrayal was lacking. Armin didn’t approve of the despicable measures taken by Eren, but he ended up benefiting from the mass slaughter, regardless of his intentions. Armin, who couldn’t possibly understand Eren, faced their last farewell with a firm “Thank you for becoming a mass murderer for us”, essentially conveying how he himself was also an accomplice. He wanted to feel closer to Eren, even if just a little. I realized the final stage in particular had too difficult themes, and my portrayal was inadequate. I deeply regret that I wasn’t able to fully express them in the manga proper.
I’ve been drawing this manga for 11 years and a half, and when I completed the manuscript I truly believed that “everyone will be happy with this”. I was conceited. I apologize to those who have supported me until the end but have felt let down by the ending.
Q: During these 11 years and a half of serialization, have there been any memorable events?
Isayama: I’m happy that I could deepen the relationship with my assistants, as “manga friends”. When the serialization started, everyone was in their twenties, but now some of them are married and have even become parents, and we have become close family friends.
Q: Was the manga becoming an anime a memorable moment, too?
Isayama: The anime adaptation can certainly be considered another part of Shingeki no Kyojin. Lots of people got to know this story through watching the anime. Personally, it was refreshing for me too, as I could experience the story anew. In addition to that, the characters were taken out of my hands - in a good way - by the directors and voice actors, they began moving as independent “existences”. It was a first and interesting experience.
Q: Do you have a favorite scene?
Isayama: As far as drawings go, the scene I like the most is the one in chapter 104, “Victors”, when the Jaw Titan claws at the Attack Titan. Besides the fact that I feel like I can’t draw anything better than that, there also haven’t been that many action scenes with titans after chapter 104.
Q: Well then, what about your best chapter?
Isayama: One of them is chapter 71, “Bystander”. I feel like that chapter exceeded my abilities at the time. I like the way it doesn’t feel like “Shingeki no Kyojin”, as the spotlight was on the life of a single character who isn’t involved with the original story.
Q: Chapter 69, “Friends”, also depicts some characters’ personal life.
Isayama: I like that chapter, too! At the time of drawing its draft, I flattered myself with words such as “Uh? Aren’t I so mature?!”. Normally, I would draw the main story’s continuation, but in chapters 69 and 71’s case, it felt like I was drawing stories that were complete on their own.
Q: With the start of the Marley arc in chapter 91, “The other side of the ocean”, both titans and modern times’ weapons made an appearance in battle.
Isayama: That battle scene was the time I had the most fun while drawing mangas, I was in a state of total concentration and full energy.
Q: How has Shingeki no Kyojin been for you?
Isayama: It’s as if youth has come a bit late, a third of my life has been packed into this work. …Of course, there have been hard times, too, but it’s been a chapter of my life that normally you wouldn’t be able to experience and even now I struggle to think it was real. Although I’ve been spoiled by my readers, I had planned to draw all the while accepting even harsh opinions.
Q: Finally, a message to the readers, please!
Isayama: Through Shingeki no Kyojin, I could connect with an unfathomable number of people. I’ve been happy to share this time of my life with my readers, which is something that, if I had had a normal life, I would have never experienced.
Also, now that the serialization is over, I have been freed, so I want to stroll around a small city with a can of One Cup sake in one hand. That’s what I would call freedom.
