The "Blue Study"
Zubov Wing, Catherine Palace, Tsarskoe Selo, Russia,
The Blue Study or 'Snuffbox' of Catherine the Great Designed by Scottish architect Charles Cameron in the 1780s.

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The "Blue Study"
Zubov Wing, Catherine Palace, Tsarskoe Selo, Russia,
The Blue Study or 'Snuffbox' of Catherine the Great Designed by Scottish architect Charles Cameron in the 1780s.
Snuffbox in gold and mother-of-pearl. Paris, France about 1740.
Maker's mark HA with the decharge mark of Louis Robin (working 1738-44).
Originally made for a member of the Rothschild family. It was seized by the Nazis during WWII and not returned to the heirs until 1999.
Now housed at Museum of Fine Arts, Boston.
Snuffbox with Mother-of-Pearl Decoration
German
19th century
Snuffbox with Six Scenes of Putti at Play, Jean Georges (or George), miniatures by Mademoiselle Duplessis, French, 1761-62
From the Met Museum
Detail of Snuffbox with Head of Bacchus
Micromosaic made in Rome (ca. 1804), box made in Paris (ca. 1809-1819)
Clemente Ciuli (Rome, active 1800–1850), Adrien-Jean Maximilien Vachette (France, 1753-1839)
Glass micromosaic, gold and enamel
Los Angeles County Museum of Art
Snuffbox, shell shaped, porcelain / silver, made by the Saint-Cloud Porcelain Factory, Saint-Cloud, France, c. 1750
do you prefer puppets with glass or felt eyes
felt the majority of the time. if the puppet itself if made of a non-plush texture (wood, metal, harsher fabrics) then glass purely because i like the ‘tink-tink’ sound it makes when you tap on them. but i MUCH prefer plastic or bead ones.
Snuffbox, 1670, England.