Some research I did on Desolation Row, both by Bob Dylan and covered by MCR. Trying to write more about songs and albums (Sorry if you can’t read my handwriting 😪)

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Some research I did on Desolation Row, both by Bob Dylan and covered by MCR. Trying to write more about songs and albums (Sorry if you can’t read my handwriting 😪)
The Ties that Bind
The clinic lay wrapped in the hush that only came in the quiet hours of night. No boots pacing outside in the corridor, no groans rose from behind curtained cots. The beds stood neatly made and untouched, their soft linens ghostly in the low lamplight. It had been some time since Heartwood had mounted a company-wide mission and the stillness felt like a reprieve, proof that their mercenaries were, for once, keeping clear of the kind of trouble that led to broken bones. Or worse.
Firelight pooled warmly in the hearth, lending the room its amber glow. By it, Gentle Fist had fallen asleep. The Roegadyn’s immense frame overflowed the chair he occupied, his feet, broad as bear paws, propped up on an ottoman. A book lay open across his chest, its pages fluttering faintly with each thunderous snore.
At the alchemical stove, Aislinn stirred a simmering potion, copper pot gleaming in the glow. When the door clicked shut behind Maijah, the Hyur lifted her head.
She had a way of looking at people that felt less like being seen and more like being dissected. Her gaze slid over Maijah from top to bottom, sharp as a scalpel, missing nothing. It was the look of a woman who catalogued and inventoried the world around her.
“Something you’re needing, Maijah?” Aislinn asked, already turning back to her brew. The ladle clinked softly against copper. “And thank you for the foxglove you dropped off the other sun.”
Early Autumn
♪When an early autumn walks the land and chills the breeze And touches with her hand the summer trees Perhaps you'll understand what memories I own There's a dance pavilion, all shuttered down♪
♪A winding country lane, all russet brown A frosty windowpane shows me a town grown lonely That spring of ours that started, so April-hearted Seemed made for just a boy and girl♪
♪I never dreamed, did you, any fall could come in view So early, early Darling, if you care, please let me know I'll meet you anywhere, I miss you so Let's never have to share another early autumn♪
"Early Autumn" as sung in The Red Hot Duchess of Death and Her Butler Joshua Seth
~ * ~ Professor Fay Jaeger enjoy listening her best friend and love interest, Tanjuro Kamado singing when she was still a child.
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Storyteller's Songbook
A playlist of songs associated with characters in Maijah's stories
Maijah the Songweaver
Burn Your Village - Kiki Rockwell Everybody Scream - Florence + the Machine You Should See Me in a Crown - Billie Eilish Smile - Maisie When You Say My Name - Chandler Leighton Cravin' - Stileto
The Song
Hum - Ayla Nereo The Seed - Aurora
Maijah
Too Much - Dove Cameron High Priestess - Qveen Herby Beach House - Carly Rae Jepsen Training Season - Dua Lipa
Rujara
Nightfire - Juniper Vale Traveling Heart - Earl Break my Heart - Dua Lipa What ifs - Kane Brown The Magic - Lola Blanc Sun & Moon - Malte Marten
The Legatus
Kiss Me You Animal - Burn the Ballroom Eat Your Young - Hozier Joke's on You - Charlotte Lawrence Labour - Paris Paloma Teeth - 5 Seconds of Summer
Hlufyur
Figure You Out - Voila Something Blue - Voila Don't Leave Me Here - Thaehan
Brynja
My Blood - Ellie Goulding Bad Idea - Dove Cameron Moral of the Story - Ashe
Brynja, Hlufyur and Rune
Dark Halls - Badtalkers
Ashlid, Iris and Lilja
Die Young - Kesha Dancing in the Moonlight - King Harvest If You go Down - Kelsea Ballerini
SPARKS FLY - TAYLOR SWIFT
WicDiv Playlist: A Little Respect
Been a while.
You won't believe the last month, in terms of life, and how much launching a new book which includes as much of you as WicDiv does takes out of you as a human. I normally write five new pages a day minimum, every work day. For the first third of June, I wrote nothing.
As I walked around in this fascinating emotional turmoil, I was writing these essays in my head. When I find a spare thirty minutes, I'd hammer one out. I know them line for line. The Pussycat Dolls Essay. The Belle & Sebastian Essay. The From Her To Eternity essay. The Laura essay that... no, not yet, never quite yet.
I wanted to write them all. I thought I'd fit them in. I didn't.
Never enough time.
Metaphor.
Before writing this, I was reading about some of the continuing fallout around the question of Biphobia at the London Pride, and thinking about bi erasure, and this, being me, this broken creature who is little more of Pavlovian Pop Response, inevitably starts thinking about Erasure.
(The “If only we lived in a world where Bi Erasure was just a covers band” joke made me smirk bitterly throughout the day, amongst everything else.)
So I find myself thinking about A Little Respect, and when Akira The Don SHOUTS THE LYRICS on twitter I realise I can't end the day without hammering down one of my anecdotes.
Always a great record. Found my way into the core me-mythology much later, in that 2000 period where I was just shedding skin from my comics chrysalis and emerging as an ever-hungry creator grub. It's in this period where I wrote my first comics, and that was basically the start of the road that led me to sitting here, writing this, and somehow trying to talk you into reading it.
This isn't about that.
In the same period, I was also in love and heartbroken, and kicking myself over it. It was a literal on-off on-off on-off on-off on-off relationship which would have never have worked, and how it didn't work taught me a lot. But that was down the line, and all that I had was trying to cram the emotions of it all inside a videogame mod I wrote and generally being a walking, snarling Shellac lyric.
In this state, I found myself reviewing Wheatus album for a games magazine. I'm not even sure if I reviewed the album – there were a mass of promos and a mere four albums a month in the column, so I had to select – but it was sent to me. I loved Teenage Dirtbag in paternal pop-punkism (but, please, don't get me to do my whole deconstruction of the song's structure, as it'll make you either want to kill yourself or kill me, and probably the latter) but the only thing which stuck to me was the A Little Respect cover.
It isn't within a million miles of the original, of course, but this is about angles of attack, making you think of things you hadn't thought about in a while.
I played it until I realised I had to add the Erasure best of to the towering piles of CDs by the office PC, resting between Atari Teenage Riot and Angelica.
And then I played that a lot.
A Little Respect is a gay love song of such pain, directness and dignity that I have trouble conceiving how anyone can even imagine anyone remaining a homophobe after listening to it, because surely everyone with a heart in their chest would grasp the fundamental shared humanity in the longing of the relationship and the unfairness of the implicit societal pressure that is keeping them apart? Surely? Surely people can't be that fucking shitty?
There's all sorts of moments to pick over in Bell's performance. You pick a lyric, and it's obvious – the Kings James Bible's phrasing turns centuries of legislated hatred as a weapon against itself, sounding like irrefutable scripture:
“What religion or reason/Could drive a man to forsake his lover”
But throughout, pick it apart, moment for moment, line for line, and it's transcendent stuff.
Plus you can dance to it. With your eyes shut.
This proves to be relevant before the end of the story.
So, in the middle of this mess I'm going clubbing in London. Ste – the primary influence on Seth Bingo – takes me to perennial gay indie night Pop Starz at the Scala.
(Ste has another memory connected to A Little Respect. During one of his many pop-missionary missions to ATP, he's running karaoke in his chalet. A room full of people singing a Little Respect. Ste in one corner, the gathered horde falling to one knee, shouting in simultaneous, broken, beautiful falsetto “give a little respect--- tooooooo ---- steeeee!” This is entirely irrelevant, but it always makes me smile.)
So, I'm at Pop Starz, and hit the lovelorn melancholic phase around 2am. The I'm-alone-in-crowds stage. The THERE IS NOTHING MELLOW ABOUT MY MELODRAMA stage. If you don't know the Scala, it's one of the multiple rooms venues. We're upstairs in the smaller bar, and I know I have to move elsewhere. I work my way downstairs to the main floor.
A Little Respect drops.
I turn to the dancefloor, and slide into the middle, close my eyes, and lose myself in it.
It's the three minutes and twenty seconds of dancing-as-mass that I only ever sporadically hit. My lips purse lightly along, never wanting to be as crass as mouthing along, but whispering it as the light and flesh and space splay across me. Everything is so sad. Everything is so perfect. I write scenes for that game in my head, with regretful assassins recalling their own doomed loves with doomed people. I pull the trigger, and I find my target.
As the song ends, I leave, heading back the way I came. I know that I have no desire to dance to anything else, perhaps ever again. I'll leave. I'm done.
I push open the double doors.
A song draws to the end. A slight lull. The crowd relaxes. I look for my friends to say goodbye.
An opening bass rumble from hell.
The room of people spasm as one.
I smile and throw myself into the crowd.
“And saying so to some Means nothing; others it leaves Nothing to be said.” - Philip Larkin
All I need is somebody who really cares.