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Space Caviar, Robert Gerard Pietrusko and Ersilia Vaudo, A Satellite Symphony, in 'Intelligens. Naturale. Artificiale. Collettiva' curated by Carlo Ratti, 19th International Architecture Exhibition, La Biennale di Venezia, 2025, ph. Gaia Cambiaggi | Studio Campo VS Luigi Ghirri, Modena, 1971
Patina “Space Caviar” by Alexander Nurulaeff in exclusive for great collector from Dubai: Mr. T. B.
Please note: the colors you see on this photo s are only visible in direct sunlight. Otherwise the jacket results as a classic jacket of a deep gray color.
What we were actually much more interested in was ... an attempt to redefine the notion of the smart home, to make the smart home into something that's not a binary choice between a dumb home and a smart home but to think how the smart home can be something that we can coexist with and that we have control over, as opposed to being something simply that we're victims of. So in that sense, it was really an attempt to regain agency over the technology that we live together with, and to also think about how this could be an architectural opportunity.
Joseph Grima of Space Caviar in Nicholas Korody, “If Houses Had Airplane Modes,” 2016
Patina “Space Caviar” by Alexander Nurulaeff in exclusive for great collector from Dubai: Mr. T. B.
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[We are] thinking about the wall as something that's not simply a filter for the visible spectrum of light, which simply stops passers-by from looking into our bedroom window. But actually thinking about the wall as an editing device, something that allows us to switch on or off reality depending on our moods, on the time of day, on who we're with, on what we're doing. And, in that sense, the wall is not simply something that is a barrier, that no one can see through, but it's something that's actually a device or a tool to connect, that can be turned on or off.
Joseph Grima of Space Caviar in Nicholas Korody, “If Houses Had Airplane Modes,” 2016
RAM House.
Instalación que explora nuevas dimensiones domésticas. Proyecto de Space Caviar y publicado en ARQ 90 | Estructuras Desmontables.
Revísalo en nuestra sección destacados.
Fotografías por Delfino Sisto Legnani.
“Here is a possibility to dissolve previously calcified boundaries between residential, commercial and industrial, between individual and collective space in the city, between bottom-up and top-down. Whether it does so beneficially will depend on how much we care about the idea of the city as a public good, and how adept we are at absorbing and redirecting disruptive forces for civic returns.”
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