Cajon Pass flowers before the freeway opens up

#batman#bruce wayne#tim drake#dick grayson#batfamily#batfam#dc fanart




seen from China

seen from Australia

seen from United States

seen from United States
seen from United States

seen from Mexico
seen from China
seen from Canada
seen from China
seen from Canada
seen from United States

seen from Colombia
seen from China
seen from China

seen from United States

seen from Malaysia

seen from Canada

seen from Canada
seen from United States
seen from Canada
Cajon Pass flowers before the freeway opens up
Francesco Fusaro | “Manchu Suite” SR138
Type: mp3 / TAPE Location: Italy/London Date: 2016 Tracks: 1 Duration: Genre: ambient, electronics, sampling, suite, plunderphonics Section: Violet
Free download
Tape available down here!
Price is 8 euros plus shipping!
"In these last three months came the idea of producing an "ambient" album, by using the technique which best suits me: sampling. The challenge would be in using sounds taken from various sources other than my own, in spending the least amount of time possible producing ( there are just 2 sound layers ), in using only samples from albums that I have here available in London ( the only exception being the orchestral closing which actually are some stams that had been in my hard drive for years ), and finally spending the smallest amount of time possible on the tracks themselves. At the beginning I thought of these as separate moments of an ideal soundtrack for and imaginary book or play. Then one day was raining and I just left my phone recording the sound of the rain pouring down and forgot all about it. I then decided to use that very field recording as background for the tracks which than became a single composition. Within it there are reverse sounds, scratched or reverbed or filtered through a wah-wah ( or anyway manipulated on the single track ). Each episode is thus the result of a plunderphonic manipulation process carried out on every single sample".
"In questi tre mesi l'idea di produrre un album di 'ambient music' utilizzando la tecnica che mi è più congeniale: il campionamento. La sfida consisteva in questo: nulla di prodotto da me, il minimo del lavoro in fase di produzione (ci sono al massimo due layer di suono), solo campioni da dischi che ho qui a Londra (ad eccezione della chiusa orchestrale, degli stems che avevo nel mio hard disk da anni), il minimo tempo impiegato sui singoli brani. Inizialmente li pensavo come movimenti separati di un'ideale colonna sonora per un libro o uno spettacolo teatrale. Poi un giorno pioveva, ho messo il mio cellulare a registrare il rumore della pioggia e me ne sono dimenticato. Così ho deciso di usare quel field recording come sfondo per i brani che sono diventati in tal modo un'unica composizione. Dentro ci sono suoni in reverse, o stretchati o riverberati o con wah-wah (o soggetti a mutazioni multiple sulla singola traccia). Ogni episodio è dunque il frutto di un lavoro di manipolazione plunderphonica eseguito su un singolo campione."