#steve schick

[garadinervi]

Tyshawn Sorey, (2022), Monochromatic Light (Afterlife), (CD, Digital album), with an essay by Sarah Rothenberg, DACAMERA Editions, 2026

DACAMERA Soloists Kim Kashkashian: viola Sarah Rothenberg: piano/celesta Steve Schick: percussion Davóne Tines: bass-baritone

Houston Chamber Choir (24 voices) Tyshawn Sorey, conductor

Produced by Judith Sherman Engineered by Judith Sherman and Francis Schmidt Edited by Judith Sherman and Jeanne Velonis Mixed at John Kilgore Sound by John Kilgore, Judith Sherman, and Tyshawn Sorey Mastered at Swan Studios, New York, Meyer Media LLC by Andreas Meyer and Judith Sherman Executive Producer: Sarah Rothenberg

Design: Aaron C. Lazar

[austinkleon]

In order to make music, I need three healthy relationships: with the materials of my art, with the world around me, and with the people with whom I share it. These are the building blocks of what I think of as an externally facing artistic practice. The goal of an externally facing practice is to become as complete a human being as possible, in whose life music plays a central and defining role. On the other hand, the goal of an internally facing practice — the default stance of much academic training, especially in this country — is to be the most skilled musician possible. A rich and rewarding extra-musical life is secondary. The external view is built on education; the internal one on training.

Steve Schick

[buttererer]

Paul Dresher's revised 2010 Mondavi Center production of Schick Machine.

[boringmusic]

Steve Schick percussion interview

[boringmusic]

Percussionist and conductor Steven Schick shares his insights into the development of percussion music.

[boringmusic]

A Conversation with Steven Schick

[boringmusic]

Glass Cello Concerto: Steven Schick Interview

[boringmusic]

UCSD Music Professor George Lewis hosts renowned percussionist Steven Schick in a discussion of creativity, musical and otherwise, and how such skills as improvisation can benefit students in all aspects of life.