Oil Pastel Study: Texture & Motion
A close look at the heavy textures and deep layering of oil pastels on paper. Capturing fluid movement through dense, contrasting strokes.
seen from United States

seen from United States
seen from Malaysia
seen from Japan
seen from United States

seen from United States
seen from Türkiye
seen from Malaysia
seen from Algeria
seen from Canada
seen from Canada
seen from United States

seen from Malaysia

seen from Australia

seen from Canada

seen from United States
seen from China
seen from United States
seen from United States
seen from United States
Oil Pastel Study: Texture & Motion
A close look at the heavy textures and deep layering of oil pastels on paper. Capturing fluid movement through dense, contrasting strokes.
A Crow’S Dream [SS18DW019]
Watercolor and Pen on Acid-free Paper
A retrospective look at a large-scale (38 x 48”) acrylic color study on canvas created around 2018.
Inspired by the hypnotic, rhythmic digital compositions of Andy Gilmore and the historic Orphism movement, with its emphasis on chromatic scales and visual movement, I wanted an excuse to use every tube of paint in a new set.
After building the wooden stretchers and hand-stretching the canvas, I used an oversized compass to scale up my original graphite sketch. I kept my studio notes and color mapping sheet from the process, detailing all the pigment ratios (lots of cadmium yellow, dioxazine purple, and cerulean blue mixes).
While abstract art often lacks a strict orientation, I always viewed this piece as a stylized landscape gradient: anchored by a green foundation at the base, ascending through sky blues and sunset violets, and culminating in a luminous yellow sun at the top crest.
sketching composition for 'Split' (in my studio last year)
🏴 contact sheetß 🏳️ june wk 3 ▪️▫️◼️◻️
Process with this little folded landscape / the gang is coming together
Discarded painting tape
A corner of my studio last week, definitely need a desk/workbench in here and a proper easel for bigger paintings. It’s been a while since I’ve been an easel painter but I think it’s time..