Guyatone - BUZZ BOX - FS-2
"This one just sold for $2.9k..."
" ... they came out in 1969, and were made in at least 3 colors. I'm pretty sure it's a modified Super Fuzz circuit. " (Ed Skymall)
cred: facebook.com/Taylor Wattrson
seen from United States

seen from Italy
seen from France

seen from Italy

seen from Netherlands
seen from United States
seen from United States
seen from Poland

seen from Poland
seen from France
seen from Italy

seen from United States
seen from United States
seen from Germany
seen from France

seen from TĂŒrkiye
seen from United States

seen from United Arab Emirates
seen from Italy

seen from United States
Guyatone - BUZZ BOX - FS-2
"This one just sold for $2.9k..."
" ... they came out in 1969, and were made in at least 3 colors. I'm pretty sure it's a modified Super Fuzz circuit. " (Ed Skymall)
cred: facebook.com/Taylor Wattrson
Super Fuzz clone.
Supersnooper (Poliziotto superpiĂč) (1980, Durium, D.A.I. 30.366)
From the soundtrack of an 80âČs Italian police/superhero comedy set in Miami
Mudhoney:Â Superfuzz Bigmuff EPÂ (1988)
These times are ripe for Grunge nostalgia, and for all those seeking to wallow in the primordial muck of the â90s Seattle music scene, well, then, Mudhoneyâs Superfuzz Bigmuff is your La Brea fucking Tar Pits! (*)
Released some 30 years ago, and almost three years ahead of Nirvanaâs Nevermind breakthrough, Mudhoneyâs debut EP was famously named after two of the bandâs favorite effects pedals (pictured above), so essential to their signature distortion.
Of course, thereâs no small irony in the fact that these songs conveyed Grungeâs future aesthetic (as did photographer Charles Petersonâs iconic black-and-white concert photos) with such astonishing clarity, in total contrast to the intentionally dirty, muddy sonics abetted by these pedals.
Almost all of those fundamental alt-rock hallmarks are here!
From the soft/hard dynamics of âNeedâ to the raging post-hardcore maelstrom of âChain that Doorâ; from the lysergic psychedelia of âMudrideâ to the bass-powered slash-rock of âNo One Hasâ; and from the plaintive mumblings-gone-apeshit of âIf I Thinkâ to the heretic sludge-metal of âIn ânâ Out of Grace.â
Together, Mark Arm (vocals, guitar), Steve Turner (guitar), Matt Lukin (bass), and Dan Peters (drums), plus producer/engineer Jack Endino, collaborated to mix mud and honey into an unexpectedly tasty recipe.
Oh, and in case youâre wondering, my copy of Superfuzz Bigmuff is a recent Sub-Pop reissue, not an original artifact, hence the nifty collectible poster.
* Yes, Iâm aware of Green River and, yes, we could make similar arguments on behalf of their pioneering efforts, immediately preceding Mudhoneyâs, but thatâs another blog ...
More Mudhoney: "Touch Me I'm Sick," Mudhoney, Every Good Boy Deserves Fudge; plus Green Riverâs Come On Down EP.Â