dont slime me out they're JUST friends

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new "god" for my lore (yes, I made her a girl)👅👅👅
Week 3: Digital Community: Tumblr Case Study
Gen Z is mourning the un-filtered public sphere of 2014 Tumblr
If you’ve spent any time on TikTok over the past few years, chances are you’ve stumbled into the wistful world of 2014-2016 nostalgia. ‘Tumblr Girls’ by G-Eazy is trending again, King Kylie era with jet-black nails and electric blue hair photos, Lana Del Rey’s Born to Die and Ultraviolence lyrics dripping with melancholy, the glorification of cigarettes and poetic sadness, and those moody GIFs of brooding white girls paired with angst captions about how life is just one big existential crisis.
It’s a full-blown revival of Tumblr’s golden age, when this aesthetic reigned supreme, and Gen Z has welcomed it back like a long-lost comfort blanket. Case in point: a girl doing a cover of Sky Ferreira’s Everything is Embarrassing, with messy hair and off-the-shoulder flannel look, sent the comments spiraling into a collective wave of 2014 Tumblr nostalgia (@reme, 2025).
As of 2021, on TikTok, the hashtag #2014tumblr boasts 83.9 million views, while its counterpart #tumblr2014 has garnered 51.9 million views (Navlakha, 2021). But what does this resurgence mean for a generation raised on fast-paced TikToks and Snapchat notifications? And what does it have to do with the public sphere of Tumblr?
Tumblr as a Public Sphere
Jürgen Habermas’ concept of the public sphere describes a space where individuals gather to exchange ideas outside traditional power structures (Çela, 2015, p. 195). While social media platforms often claim to foster such spaces, their algorithm-driven nature frequently distorts participation, privileging virality over authenticity (Yin, 2024, p. 10-14). This creates a tension between the ideals of a public sphere and the realities of social media's algorithmic governance (Dahlberg, 2007, p. 52). Social media platforms grapple with the challenge of distinguishing genuine user profiles from counterfeit accounts (Mahammed et al., 2023, p. 1).
In contrast, Tumblr operated as a counterpublic, a concept described by Warner (2002) as an alternative space where marginalized groups construct their own discourses outside dominant institutions. Byron et al. (2019, p. 2242) apply this idea to Tumblr, highlighting how queer youth used the platform for identity exploration and indirect yet meaningful connections. Tumblr thrived as a platform where users did not need verification badges or massive followings to have a voice; instead, all that was required was internet access and a willingness to share unfiltered thoughts. Unlike social media sites such as Twitter or Instagram, which often prioritize personal branding and follower counts, Tumblr fostered a culture of anonymity and authenticity, allowing individuals to engage without revealing their real identities.
For many LGBTQIA+ users, Tumblr wasn’t just a blogging site—it was a lifeline. Queer youth engaged with the platform far more than other social media, finding a space for identity exploration and connection (Robards & Byron, 2017). According to Byron et al. (2019, p. 2242), young LGBTQIA+ used Tumblr to navigate their identities, often in ways that were indirect and anonymous yet profoundly meaningful. Unlike Instagram or TikTok, where visibility depends on engagement metrics, Tumblr enabled queer self-expression without the pressure of personal branding. The platform’s unfiltered, pseudonymous culture allowed young people to explore gender, sexuality, and mental health in ways that mainstream social media often stigmatized or ignored.
The Politics of Aesthetic and Self-Expression
The 2014 Tumblr aesthetic isn’t just about nostalgia—it’s a whole mood, a rebellion, and a contradiction all at once. It was a space where people rejected the glossy perfection of Instagram and Facebook, opting instead for something raw, messy, and deeply personal. But here’s the thing: even rebellion has its own aesthetic rules. Tumblr’s vibe might have been anti-mainstream, but it still had a way of shaping how people expressed themselves.
Take the #bodypositive movement, for example. At first, Tumblr was the go-to place for people who wanted to push back against traditional beauty standards. It gave users—especially marginalized ones—a space to celebrate diverse bodies, challenge unrealistic ideals, and embrace self-love in ways that mainstream media didn’t allow. But, as Reif et al. (2022, p. 5-6) point out, even in this “empowering” space, certain aesthetics started taking over. A lot of the content still followed a specific look—filtered but “effortless,” curated but “authentic.” So while Tumblr helped redefine beauty, it also reinforced new versions of what was acceptable.
And that’s exactly the paradox of the 2014 Tumblr aesthetic itself. It was all about being different, but in a way that still fit a certain visual and emotional mold. The black-and-white photos of girls smoking in oversized sweaters, in wired earphones listening to Arctic Monkey, cryptic text posts about sadness—these weren’t just random; they became an entire brand. As Goldberg (2022) notes, Tumblr had a way of romanticizing self-destruction. It made heartbreak poetic. It turned depression into an aesthetic. It blurred the line between genuine self-expression and performance.
This whole push-and-pull dynamic also played out in the way people curated their identities online. As Byron et al., (2019, p. 2246) explain, even in supposedly free and unfiltered spaces like Tumblr, certain norms always emerge. People were crafting their own personas through carefully chosen images, quotes, and blog themes, but they were still following an unspoken rulebook.
Final thoughts
Today, Gen Z is attempting to reclaim that balance, by recreating Tumblr’s unpolished aesthetics on TikTok while navigating a vastly different digital landscape. In a way, this nostalgia is an act of rebellion against the hyper-curated, brand-saturated digital spaces we’ve grown used to. The irony, of course, is that Tumblr’s once-anonymous culture is now mediated through platforms that prioritize personal branding. Yet the fact that users are reviving this era suggests a persistent desire for a public sphere where self-expression isn’t dictated by corporate algorithms.
References:
@reme. (2025). everything is embarrassing. TikTok. https://vt.tiktok.com/ZSM8fg1Qf/
Byron, P., Robards, B., Hanckel, B., Vivienne, S., & Churchill, B. (2019). “Hey, I’m Having These Experiences”: Tumblr Use and Young People’s Queer (Dis)connections. International Journal of Communication, 13, 2242. https://www.researchgate.net/publication/338593649_Hey_I
Çela, E. (2015). Social Media as a New Form of Public Sphere. European Journal of Social Sciences Education and Research, 4(1), 195. https://doi.org/10.26417/ejser.v4i1.p195-200
Dahlberg, L. (2007). The Internet, deliberative democracy, and power: Radicalizing the public sphere. International Journal of Media & Cultural Politics, 3(1), 52. https://doi.org/10.1386/macp.3.1.47_1
Goldberg, A. (2022, February 2). What the Return of 2014 Tumblr Means For Body Image. Teen Vogue. https://www.teenvogue.com/story/what-the-return-of-2014-tumblr-means-for-body-image
Mahammed, N., Klouche, B., Saidi, I., Khaldi, M., & Fahsi, M. (2023). Bio-inspired algorithms for effective social media profile authenticity verification (p. 1). https://ceur-ws.org/Vol-3694/paper13.pdf
Navlakha, M. (2021, October 26). TikTok is reviving the 2014 Tumblr-era aesthetic. Mashable SEA | Latest Entertainment & Trending . https://sea.mashable.com/life/18022/tiktok-is-reviving-the-2014-tumblr-era-aesthetic
Reif, A., Miller, I., & Taddicken, M. (2022). “Love the Skin You‘re In”: An Analysis of Women’s Self-Presentation and User Reactions to Selfies Using the Tumblr Hashtag #bodypositive. Mass Communication and Society, 26(6), 5–6. https://doi.org/10.1080/15205436.2022.2138442
Robards, B., & Byron, P. (2017, May 29). There’s something queer about Tumblr. The Conversation. https://theconversation.com/theres-something-queer-about-tumblr-73520
Warner, M. (2021). Publics and Counterpublics. Zone Book. https://doi.org/10.2307/j.ctv1qgnqj8
Yin, H. (2024). From Virality to Engagement: Examining the Transformative Impact of Social Media, Short Video Platforms, and Live Streaming on Information Dissemination and Audience Behavior in the Digital Age. Advances in Social Behavior Research, 14(1), 10–14. https://doi.org/10.54254/2753-7102/2024.18644
Blossom by blossom the spring begins.
-- Algernon Charles Swinburne
V.vii swineburn the FREAK vesper
Vii with people under his rank:
Vii with anyone else:
|commissions|adoptables|
One of the most morally correct missions in armored core 6 involves assassinating a awful man as he loudly and messily begs for his life this game is so funny.
Welcome back, independent mercenaries.
Coldcall's late addition means side B of the tournament will begin in six days. However, two polls from side A are now open.
This poll had to be reposted, due to an error in the poll. If you have voted previously, cast the same vote again.
Please vote for the hotter pilot of the two:
Who is hotter?
V.VII Swinburne
PCA Enforcement System
SWINBURNE
whiny bitch
no backbone
begs for his life (hot. to me)
twink death
kind of paranoid
pathetic little meow meow
ENFORCEMENT SYSTEM
no body (just a tts)
country girls make do
space cop
the terminator if she was a fucking girlboss
FIGHT
She loved the games men played with death, Where death must win; As though the slain man’s blood and breath Revived Faustine.
— from "Faustine" by Algernon Charles Swinburne (1837-1909)