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The Republic is no more. Your fleet are Rebel scum and war criminals. Tell your precious princess there will be no terms, there will be no surrender.
↳ General Hux
So people become stronger by living "For somebody else". Then how to go it rightly? What should one keep in mind? It must be never using "For somebody else" as an "Excuse"
— Xerxes Break (Pandora Hearts)
Captain Phasma: Survival at All Costs
Escaping from a trash compactor into the chaos of collapsing Starkiller Base, Phasma’s first priority was clearing all record of her disastrous lowering of the station’s shields. In a further effort to tie up loose ends, she went to great pains to track down and eliminate Lieutenant Sol Rivas, a First Order officer who could have revealed her treason. This was not the first time Phasma secretly assassinated a troublesome ally.
– Star Wars: The Last Jedi Visual Dictionary
I sprung the idea of Snoke in gold on Rian. Because we’re in a room that’s predominantly red and black, and because Snoke’s skin is very off-white, I thought that we wanted something a little bit more powerful. And we have these red Praetorian Guards, and then we have these purple attendants. So rather than do more red or purple, I just thought, “There’s no gold in the room. That would look beautiful.” – Michael Kaplan, Costume Designer
– The Man Behind the Curtain, The Art of Star Wars: The Last Jedi
Captain Canady
The commander of the Fulminatrix, Captain Moden Canady, served aboard the Star Destroyer Solicitude during the time of the Galactic Empire. Now in his 50s, he is surrounded by First Order personnel half his age and is dismayed by their youth. While he can appreciate and emphatise with their zeal, their untested nature and failure to work effectively as a team chafes against his operational discipline. He is proud of his starship’s power, but wishes it had a crew worthy of its destructive potential.
– Star Wars: The Last Jedi Visual Dictionary
The influence for the throne room is purely from a Ralph McQuarrie concept painting for Return of the Jedi. It shows the Emperor’s throne among the lava underneath Coruscant, where Palpatine was to have a lair. If you look at that Ralph throne… I thought I’d keep it simple, basic, and why not give Ralph another nod? Why reinvent the wheel? – Kevin Jenkins, VFX Art Director
– The Man Behind the Curtain, The Art of Star Wars: The Last Jedi
Andy Serkis was wearing the physical costume while doing the motion-capture just for the feel of it. There was also a very tall person who would be seated there for eye lines, and he’s wearing the actual robe that would be Snoke’s size. I think it’s important for them to know, specifically on film, what it’s going to look like so that the mocap matches that. – Michael Kaplan, Costume Designer
– The Man Behind the Curtain, The Art of Star Wars: The Last Jedi