Aug 24, 2023
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❤
Mi padre tenía experiencia, sentido común, sabía que en el mundo existimos dos clases de personas: las cálidas y los cadáveres. O las que siempre estarán a tu lado sin juzgarte, y las otras, destinadas a condenarte.
Tango negro (También los caballeros hacen daño), Diana Turner.
#DGO- Presentarán Tango Negro este sábado
#DGO- Presentarán Tango Negro este sábado
“Tango Negro” (También los caballeros hacen daño), novela de Diana Turner publicada por el Instituto de Cultura del Estado de Durango (ICED), con una edición cuidada por Fernando Andrade Cancino y Everardo Ramírez Puentes, será presentada este próximo sábado 7 de mayo.
A decir de Andrade Cancino “Diana Turner nos conmueve al darnos un telón de fondo que nos revela el alma de una mujer enamorada,…
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Dom Pedro's Tango Negro explores the major, yet oft-unrecognized role that African culture played in the birth of the ballroom dance style.
Tango Negro, The African Roots of Tango
Tango Negro explores the expression of African-ness inherent in the dance of the “tango” and the contribution of African cultures to the dance’s creation. Angolan director, Dom Pedro, details the dance’s early cultural significance as a depiction of the social life of captured African slaves and provides an expansive compilation of musical performances and interviews from tango enthusiasts and historians alike. Tango Negro provides a novel insight into the depth of tango’s sub-Saharan African musical influence, a presence that has crossed oceans and endured the tides of forced bondage.
Directed by Dom Pedro, 2013, France, Documentary, 93 min, French, Spanish, English subt.
“The Tango is made up of three sadnesses, three memories: The immigrants sadness, the gaucho’s sadness - people who lived in the country - and finally, the blacks’ sadness, who didn’t come here as immigrants but who were brought here leaving their lives in Africa”
Excerpt from Tango Negro: The African Roots of Tango
‘Tango Negro: The African Roots of Tango’ was directed by Dom Pedro, pictured above.
Photo taken by Salym Fayad for vice.com
