The Good Place and MSP: Pacing and Narrative Structure [a crossover for a probably tiny audience]
this post will contain spoilers for The Good Place and My School President so be forewarned!
I was watching a couple of videos about The Good Place by the youtube channel Pillar of Garbage (this one and this one) and it sparked some *thoughts* which reminded me of one of my powerpoint presentations on MSP that I made.
Basically, The Good Place (TGP) and My School President (MSP) have an atypical narrative structure and in particular atypical pacing compared to other shows like them or the shows we might expect them to be.
Firstly, both shows have “premature” big reveals:
halfway through the first season of TGP, Eleanor admits that she is in the Good Place by mistake, instead of filling an entire season or more with her hijinks as she tries to hide that fact
MSP establishes that Tinn is not an unmoved cool guy out to get Gun but in fact a soft, pining gay romantic in the first episode, a reveal which in other shows hasn’t happened until the mid-point of the season or even the very end
Secondly, both shows move through plot lines more quickly than other shows would:
TGP introduces several season- or episode-spanning concepts and then move past them with in an episode or two: e.g., season 2 of TGP starts with all the characters being rebooted in a second go-round of the Good Place experiment, and it seems the whole second season will be much like the first with the characters only realizing they are in the Bad Place at the end → in the second episode of the season Eleanor figures out they are in the Bad Place; and episode 3 of the season (Dance Dance Resolution) has them speed run through hundreds of reboots, representing possible seasons of content.
practically every problem introduced in MSP is resolved by the end of the episode: e.g., Sound is introduced and wants to take over the club → by the end of the episode Gun is back in charge and Sound has been welcomed into the fold; or Tinn knows Gun’s mother is sick but she tells him not to tell Gun → in the next scene Gun finds out, a couple of scenes later things are smoothed over with Tinn, and by the end of the episode we know Gun’s mother is going to be ok; a girl gives Tinn sweets and compliments him which makes Gun jealous → in the next scene we learn it was a case of mistaken identity. As a result, there is little protracted drama or angst (especially revolving around miscommunication) in MSP compared to other BL shows
Thirdly, both shows don’t always have us win:
e.g., at the end of season 2 of TGP, when Eleanor is on her quest to be a better person, she isn’t rewarded for it, it makes her life harder, and she falls back into her old ways
e.g., in MSP, Chinzilla doesn’t win Hot Wave
It was really interesting reading through peoples’ speculations on social media while TGP and MSP were airing about where these shows were heading next, as invariably there were people thinking of other shows (sitcoms, BLs, etc.) and expecting these shows to go those routes (e.g., expanding relatively simple premises over full seasons, or extensive plotlines and drama steeped in miscommunication and jealousy). But then the next episode of TGP or MSP would air and blow through a full season’s premise in half an episode or sidestep all the most dramatic possibilities
Because of these three things (“premature” reveals, quick pacing, the protagonists don’t always win), TGP and MSP felt fresh week after week. We didn’t know where TGP was going to go next, and MSP was flipping the conventional BL narrative arcs and plot devices on their heads. The shows felt confident: they didn’t need to stretch things out over multiple episodes or full seasons because they knew they had more than enough compelling narrative material to keep going.
These shows surprised us, but at the same time the progression of the story and the characters felt more realistic than in other shows. The characters in TGP face setbacks but ultimately grow as people over the course of the show, and the characters of MSP communicate with each other like most real-life friends and partners would and don’t get mired down in extended miscommunication plotlines.
Also shoutout to this post by @distant-screaming that reminded me of the narrative/pacing section my MSP ppt











