im alive again
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im alive again
Kaneki and Irony
One of things that really got to me this chapter was the cutback to Kaneki on the expedition when Touka stood up to face Juuzou. That’s because it’s dripping in irony and character development, which is what makes it so potent and sad. One of the most infamous scenes in the original manga is when Yamori asked him to choose between a mother and child
This moment gave the audience, us, one of Kaneki’s most prominent tragic flaws, his indecisiveness. Kaneki is someone who lacks desires, ambition, and a lack of what he wants in his own life. Kaneki wants to have a little bit of everything because he can’t make a choice. So what Kaneki does is he puts all his hands in different buckets but because it’s such stretch between them Kaneki can’t reach the item in any of them. Kaneki can’t reach his goals because he can’t prioritize on one to put all of his focus into.
TG fandom be like:
I love you Juuzou but also fuck you.
Incoherent reactions to chapter 140
Well so that happened
Why would Touka leave flowers at Shinohara’s bedside? I am confused.
So six hours have passed... Urie Hide Marude Matsuri where you at the 24th ward needs you
“His skin was as glossy and supple as ever” so was his hair
I mean my hair and skin don’t look that good after hours working on them much less six hours after getting shot in the head
A mention of Dragon????
This panel of 0 squad has me like
Until you remember that one of the members is dead one is about to be undead one is out for food and the other five are locked in a battle against each other
Tsukiyama telling Kaneki “no” is my aesthetic
Except this is the one time Kaneki should listen to his gut instinct and reconsider a decision he made
NAKI (I’m guessing Miza too)
Dammit
I'm glad you learned a few new word Naki because I don’t have words right now like at all
I’m glad one of us is having fun Naki
Brb, if you need me, I’ll be here ugly crying
(I actually think Naki’s death is absolutely beautiful though but right now I’m going to burrow in my sad mole house)
This is killing me. And he remembers Tsukiyama's name T_T
Who is she
Flowers for the Reaper
Hi everyone, sorry for my absence! I got a massive pre-university reading list dumped on me that needs to be done before the month’s through. I haven’t finished it, but if I don’t do anything other than read or procrastinate I feel like my spine might turn into scriptural binding, my innards to paper and my skin to the cover of the Norton Anthology of English Literature. So this is my non-guilt-inducing recreation period! Here’s hoping I don’t metamorph into a manga volume instead. Oh, and since I’ve been gone for a while and messages have piled up as a result, I’ve had to freeze the Ask feature for a little while. Sorry! I’ll get right on it.
But boy, a lot sure has happened since I’ve been away. Blimey. Don’t give up on Touka just yet, Suzuya has shown a great deal of inclination towards defection, and now Furuta’s in the room with them what better time to swing the scythe the other way? E14 is a clear parallel to the original series’ V14, with even the same ‘ee’ sound, and Suzuya is here as a parallel to Arima, given not only the same flower imagery but the very same epithet by the narrator...
...however, Suzuya has seen the flowers at Shinohara’s bedside that we can only assume were brought by Touka back in Chapter 16.
But why is Touka bringing Shinohara, a man she’s never met, flowers? My guess would be that she knows Shinohara was responsible for her father’s death. Giving him flowers at his hospital bed is thus a symbolic gesture of letting go of past grudges and sympathising with suffering wherever it is encountered, and is the ultimate display of character growth in comparison with her treatment of her father’s other assailant, Kureo Mado. The buds of empathy that sprouted upon seeing Mado’s ring are now in full bloom with Shinohara, who, as Touka must have known perhaps too by his ring, has a family as well.
Only this family encompasses Suzuya as well. In the course of their battle, Suzuya will somehow find out that his opponent is the one who gave Shinohara the flowers - perhaps he will mention Shinohara and Touka will recognise the name, or perhaps he has already seen Touka in the hospital. In any case, the message that Touka delivered in the flowers will translate to Suzuya’s own psyche - one of barrier-transcending empathy and kindness - and it will be what ultimately breaks his loyalty to the CCG, allowing Touka and her unit to escape. The course of tragedy will be broken by the growing empathy and understanding between the two peoples this world revolves around. And in support of this theory, just take a look at Suzuya’s fixation on flowers in this very chapter - not just from Shinohara’s flowers, but from the Reaper’s symbolic death flowers as well.
This is a pivotal moment for Suzuya in what may well be his Judgement Phase, his two potential ways of life represented to him by two different sets of flowers. Touka’s bouquet is symbolic of love, respect, patience and faith, whereas Arima’s field of daffodils is symbolic of the underworld as the flower that supposedly grew in Hades in Greek mythology. He can choose Arima’s daffodils and the ‘Reaper’ side of himself that acts as a killing machine at someone else’s will, from Big Madam to Furuta, thus continuing on from the person he was at the start of the series and embodying the very aspects that Arima despised in himself. Or he can take Touka’s bouquet and embrace his only recently discovered ability to empathise and be the kind of man Shinohara wanted him to be. He doesn’t have to discard his Reaper qualities entirely, as the daffodils in Touka’s bouquet represent - they’re a part of him now. But he must not give into them completely and allow other flowers into the mix of his soul in place of a homogeneous field of death.
This choice has been a long time coming for Suzuya, his hair having been black throughout :re to reflect the surge of Ninjo qualities in place of his once obsessively Giri soul. And it comes at a fitting time, so very close to Suzuya’s parallel revelation in the original series’ 137. His change for the better then makes me confident he’ll make the right choice now.
Much like the ‘V’ in V14 stood for ‘Volume’ (observation by the wonderful @lilacflamesss), indicating that Volume 14 was the end of Kaneki’s journey in that story, the ‘E’ here is, in a plethora of tongues starting from Latin itself ( e - out of), potentially indicative of exits and escape; not just from the 24th Ward but from the restricting confines of the tragic format that dictated that:
Oh, and since all these original Anteiku raid parallels are happening now, you can disregard my predictions in that regard for the Quinx; which, given their rather morbid outlook, will be very welcome news, I’m sure.
I would wager that good things lie ahead for both Touka and Suzuya, and very much not so for Furuta.
I really can't with Furuta and his facial expressions, One minute he's beautiful, a young Adonis god among men
And then next he's..