Shaun Murray: Detail of Camargue Air Turbulence, les Baux de Provence, France, 1999. Hand drawing, airbrush on line board. Revealing the fraying of ecology into design, through the ‘strategic’ insertion of incompleteness, replaces the ideal of a discoverable archetype with ‘an emerging design theory’ or Eniatype – a learning procedure that is itself under construction. At the limit of absolute consistency, or structural collapse, where signs and substances lose ontological distinctiveness, and the formulation of design is indistinguishable from its implementation, ecologies are populated by ‘complex notational systems’ or nebulous materials: ‘Climate proxies, dust, temperature, precipitation, chemistry and gas composition of [the] lower atmosphere…’. At once clouds of variable density and indices of complex interconnections, such notational markers are stripped of all pretence to rational or representational values that could be separated from the fabrications they enter into, dissolving the preparatory and programmatic status of architectural semiotics into patterns of constructive involvement and artificial perception. Within architecture of the advanced Eniatype, there is no language that is not immediately building material, and no plan that is temporally separable from project development. ‘Architects are the editors of the environment. #superarchitects #fraccentre #architecturestudent #architecture #eniatype #nowness #freizemagazine #avantgarde #artistsoninstagram #drawings #architecturaldesign #shaunmurray #aaschool #arqsketch #iarchitectures #archisketcher #architecturalnotation #arch_more #architectura #visualarts #graphic #architecturetheory #archilibs #architecturesketch #architecturaldrawing #archisource #architecturelovers #thecontemporaryarchitect #theoreticalarchitecture #shaunpatrickmurray (at Les Baux-de-Provence)