Beyoncé is not revolutionary.
Published: February 9, 2016 at 1:00 am
New York, New York (TFC) — The Superbowl halftime became the talk of the night after Beyoncé’s performance of her new single ‘Formation’ in which she lyrically revels in her blackness and womanhood. Visually however, Beyoncé attempted to take a radical approach.
The performance by Beyoncé was visually impacting, with her backup dancers wearing iconic black berets reminiscent of the Black Panther Party and forming a large ‘X’ on the field, supposedly as a nod to Malcolm X on national TV. This was followed by an ad for her upcoming ‘Formation’ tour in which the proceeds of the tour would supposedly support Flint, Michigan’s water crisis victims.
The music video portrays Beyoncé in the south and had scenes reflective of the Katrina aftermath, showing police officers lined up in front of a child and ‘stop shooting us’ scrawled across a wall.
The internet is split over this, part of the internet boycotting her over her music video’s reference to police brutality while the other part has been championing this song and music video as a revolutionary act.
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