#this is... everything

[tehmillennialfalcon]

I'd like to thank this screenshot for my life

[exo-stentialism]

“As you can see, I’m dangerous Come closer, I need you My head feels like it might burst Stand back, don’t get too close I’m psycho”

[halliewriteshockey]

I just want you to know that I didn’t follow you for hockey stuff—I followed you because of horses and Supernatural a long time ago—but every time I’m at a Pens game I think of you, so… Just know I brought you there in spirit with me tonight to watch this happen, and I hope one day you get to experience it yourself.

[emmaswcns]

honestly...

[dumbbullet]

A guy just rode his bike into our store to get water I love Pokémon Go.

[vaultsixtynine]

ok fuck this im going to climb in bed and be hella warm and sleep in tomorrow

[alwaysalreadyangry]

Comics Alliance: What influences come into play when telling a story set in the Marvel Universe of the 1950s?

Rich Ellis: Speaking from an artistic side, my mind goes to Jack Kirby, Johnny Craig, John Romita Sr., Wally Wood, and a bunch of others. To be honest I’ve just been poring over the newest EC Collected Artist edition.

Kathryn Immonen: Any kind of period piece has the potential to turn itself into a massive rabbit hole. And with this place and time period in particular, there’s just so much craziness that it’s tempting to try and include everything. But ultimately, you have to kind of turn your back on it to varying degrees. Bruce Robinson (The Killing Fields) has said something along the lines of, “That’s what happens… but what’s it about?” Our story is about things like ideals versus ideologies, about trying to maintain the optimism of science in the nuclear age, about how hard Peggy can punch (really hard). Jon and I need to stop sending each other links to genuine Soviet alien conspiracy-or-ARE-THEY photographs.