TAG Analysis - Ep I (first minute)
To preface, this analysis will be very, VERY long because I simply can’t help myself. It also may very well be in parts.
With the length of it, I’ll put a read more thing (or hope I have, I’ve never used the feature before) so it’s not a massive block of text for people to scroll past :)
For starters, the opening scene of the show is crafted so beautifully. Firstly, we the audience see the danger before we see who in danger. Even though this is such a simple, subtle thing, it’s so effective because this is the perfect way to define what the show is and what it’s about - daring rescues of those in situations which in our world would seem near impossible to aid, which just adds to the heroics of IR.
Furthermore, the way the characters are introduced is incredible. As with before, we hear the man’s voice before we see him - creating a similar effect as to previous. But he is presented in such a way that leads our eyes up his form and to his head because we know that he is the one making the SOS which makes the sudden interruption of the child so much better. It’s an “oh shit he’s not alone” type reaction, even though the child is very visible next to him. Also the way they are positioned in the balloon, how it’s at an angle, makes the father falling out seem almost inevitable. Plus, the idea to give them hats makes the scene even better because the act of them falling off and out of shot just adds to the tension.
As a quick little side piece, the use of music is fab. I would go more in-depth about the music if I could but I’m not very well music versed being an art kid; that and it’s been a few years since I last played clarinet so some things are a little vaguer now. To begin, the music in the first 20 seconds - it’s in a repeating pattern, three times up once down twice in a row. Then it goes to a lower register when the father begins to speak which not only allows us to hear him much clearer but also adds to the danger of the scene. Then after he climbs back in it begins to crescendo upwards before including a motif (that I’m pretty sure is used in other episodes) but sounds more heroic-y (I think it shifts to major key but I’m not sure).
The arrival of TB2 from the clouds is so well done, my god. Not only is how it appears so well handled, but the music that accompanies it too. Its presence in the scene is so well crafted. The balloon is to the side, still swaying out of control as to still elicit the danger, but the camera is zooming out. This makes the balloon seem smaller so that when TB2 appears it looks, frankly, fucking huge. What’s even better is that we hear then see it. We hear its engines so clearly that it cuts through the music. We can’t see it but we know where it will appear because the balloon is kept to one side of the screen. The music when it appears is also handled so well. Instead of the faster, scaling initial notes, they’re now much more drawn out. Yes these notes are still scaling upwards, but instead being fear-inducing it leans towards heroism especially with what I think is a gong 34/35 seconds into the ep which really just adds to the feel (it’s uplifting!!). And after, it goes into one of the main motifs played when on rescues. And then it changes AGAIN!!! Just as he grabs the child, it picks up - it gets faster. Nothing has happened but you know that something will. Also the wide shot at 48s initially doesn’t appear to furthering the story, but what it does do is further dramatise the danger. Simply “look, we’re 10,000 ft in the air. There is nothing around us.” You see this openness and you know that that man will fall and he does. And just before we get the drama… BAM intro sequence. It builds so much suspense because you know what’s happening, you know someone’s life is at stake but you have to wait through an incredible cool intro sequence to find out what happens.
Probably leave here for now, at least for an hour or so before I come back to it.