Unknown artist Packaging 2 Printed hard plastic with a thin plastic lid 8cm x 8 cm x 10 cm £1.29 One aspect of kitsch is fascination with the exotic (Binkley, 2000), through this notion my five pieces of Japanese packaging could be considered kitsch from a western viewpoint. The question of whether an item is rubbish or art is also obscured by this item. in contrast to the Cadbury’s pot this is an object that I would consider displaying on a shelf. The colours and cute design are both appealing and rare enough for this object to move from something that I would throw away to something I might decide to keep.
sorry again my dumbass cant do simple physics. if a tennis ball is dropped from rest and falls freely for 3 seconds, and the instantaneous speed is 29.4m/s, what would the distance fallen and average speed be?
Don’t apologise! We’ve all got to learn from scratch at some point.
u = 0 m/s, t = 3s, v = 29.4 m/s
Your unknown is s for the first question. Carrying on from my last post, the appropriate equation here is (1):
s = ½ × (v+u) × t
Incidentally, the bit I’ve bolded/italicised above (½ × (v+u)) is the expression for the average velocity. The ‘why’ becomes clear when you realise that this is an equation for distance, and the bolded expression is what we get when we divide by time, and of course distance/time = speed. Except since speed is constantly changing (due to acceleration), the value that the expression results in is an average. I’ll explain this further below the cut.
Anyway,
s = ½ × (29.4) × 3s = 44.1 mAverage speed is just dividing that by 3 seconds (how long its been travelling), and that gives 14.7 m/s.
Suppose you’re in a car and at first you’re going pretty slow (about 9 m/s). Then you get on a highway and you’re going at 30 m/s. You know that you’ve been on the roads for an hour (3600 seconds), and that you’ve covered 50 km (50,000m). Your average speed throughout would be 50,000/3600 = 13.8 m/s. You don’t necessarily had to have been moving at 13.8 m/s at any point; that’s just the speed you need to be travelling at for an hour to cover the same distance that you did, without speeding up or slowing down.
The same principle applies to our calculation above. Since a ball is being dropped, its acceleration is constant (gravity) and so its speed is increasing linearly. This means if we took the average of the initial speed and the final speed, that would give us an average speed, for the duration that it was between said initial and final speed.
NRS 451V Topic 2 Benchmark Effective Approaches in Leadership and Management
NRS 451V Topic 2 Benchmark Effective Approaches in Leadership and Management
NRS 451V Topic 2 Benchmark Effective Approaches in Leadership and Management for $25 Only
Details:
In this assignment, you will be writing a 1,000-1,250-word essay describing the differing approaches of nursing leaders and managers to issues in practice. To complete this assignment, do the following:
Select an issue from the following list: nursing shortage and nurse turn-over, nurse staffing…
There is an anecdote about Western tourists that upon visiting another country, that they will go to McDonalds for normal food. According to Binkley kitsch is the 'repetition of the familiar' (2000:134) and to many people McDonalds is just that.
Unknown artist Bottle 2 Glass work with a thin plastic label 200 ml £2.19 Grayson Perry (2013) describes several boundaries to art. While they are mainly tongue in cheek criticisms of the art world they are also an interesting counterpoint to Alfred Gell’s theory of artlike objects. One of Perry’s boundaries of art the rubbish dump test. If people can not tell it’s art then it isn’t or if it was left on a dump would anyone notice. By Perry’s own admission many famous pieces of art would not pass this test but I would argue that at least for me half of the items in this collection would. This bottle would stand out to me in a pile of rubbish. So it is included under at least one art boundary
I have classified my objects in two charts to compare their aesthetics, materials, and shape. Each line represents a scale between two binaries. My objects are not unified by any of these qualities as a whole but each pair of items shares in some physical if not aesthetic qualities (e.g. the wrappers are small, the cans are round, the bottles are large). While the categories and the placement of the objects in them is rather arbitrary it provides a helpful visual representation of the material similarity and differences. All of these objects are mass-made this may make them less artistic but they can also be understood through Gell’s ideas of enchanting technology (1992). These are objects that I do not know how to make. They use skills that I have only a limited understanding of and thus it as if they were created by magic.
When deciding whether or not to include the prices of my art objects in their labels I was confronted with the issue of where the worth of these objects came from. When you buy a bottle of water you are not thinking about the cost of the packaging but about what it holds.
I like to think of the objects in this exhibition as priceless. Many famous prices of art are said to be priceless but this is meant in a very different way when describing rubbish.