#trash op

[becauseanders]

honestly i will never be over lucanis being so deeply haunted by his trauma from the ossuary that spite thought they were literally still there, like holy shit

[becauseanders]

thinking about lucanis specifically saying he loved wyverns “as a boy” if you get him the wyvern tooth dagger and using “loved” in past tense but then there being banter that makes it incredibly clear that he does, as an adult, still very much love wyverns and just…damn, he really doesn’t believe he’s allowed to have feelings about anything, does he?

[becauseanders]

so we all agree that lucanis eats pussy like his life depends on it, right?

[becauseanders]

i am just so normal about dragon age

[becauseanders]

i really love that there’s a location title for nevarra, nessum, and even the summer palace, but then you get to kirkwall and they’re just like: look at these awful statues and chains, we know you nerds know exactly what the fuck this shithole is

[becauseanders]

forever obsessed with my husband who does not play dragon age knowing solas as, in his words, “that nosferatu looking motherfucker”

[becauseanders]

changes in barometric pressure, my beloathed

[becauseanders]

more little mass effect 3 things i love so, so much: how unnervingly quiet the normandy is

like, in me1 there’s the normandy theme music (which i also love, don’t get me wrong) and in me2 there’s enough crew chatter that you barely even notice it doesn’t have its own score this time around

but then in me3, the silence is downright chilling and it is so tonally perfect for the whole feeling of the game; that anxiety, that anticipation, that tension and fear captured so well in the atmosphere of this magnificent warship left remarkably understaffed whilst solemnly preparing for the likely extinction of every single race which has ever come aboard it, and you just...you feel it

and it’s always so striking to me and it always pops out every time i replay it and it always hits me right in the feels and i seriously love it