#travisbanton

[recycledmoviecostumes]

This costume was designed by Travis Banton for the 1935 Paramount film 𝑻𝒉𝒆 𝑪𝒓𝒖𝒔𝒂𝒅𝒆𝒔. The gown was created for Katharine DeMille in the role of Alice of France. DeMille, the daughter of director Cecil B. DeMille, pursued an acting career largely independent of her father and often declined roles he offered her, preferring not to have his reputation influence her work. Reportedly, her role in 𝑻𝒉𝒆 𝑪𝒓𝒖𝒔𝒂𝒅𝒆𝒔 was given to her as a Christmas gift.   The gown was worn again in 1956 by Mildred Natwick in her memorable role of Griselda in the film 𝑻𝒉𝒆 𝑪𝒐𝒖𝒓𝒕 𝑱𝒆𝒔𝒕𝒆𝒓.   The costume consists of a two-piece period gown with a long cape, constructed of black silk crepe and richly embroidered with gold and silver bullion in an elaborate floral motif. Additional embellishments include glass pearls and steel marcasite beads. While Banton incorporated elements inspired by historical dress, the overall design reflects the strong influence of 1930s fashion.   Today, the costume is part of the private collection of Hollywood costume historian and archivist Larry McQueen and is featured through @costumesofhollywood.   Learn more at Bit.ly/AncMed027

[recycledmoviecostumes]

This stunning black and white costume was first worn by Claudette Colbert for the role of Cleopatra in the 1934 film 𝑪𝒍𝒆𝒐𝒑𝒂𝒕𝒓𝒂.   The costume was also seen modeled in a Paramount Promotional video for Travis Banton Designs, though the year and the model are unknown.   Want to see more costumes designed by Travis Banton? Visit our website Bit.ly/AncMed009    

[recycledmoviecostumes]

In 1936, Travis Banton, head designer at Paramount Studios, created the iconic “Fabergé” gown for Marlene Dietrich's role in the film 𝑨𝒏𝒈𝒆𝒍. This extravagant dress featured gold embroidery, pearls, rhinestones, and faux jewels. It was one of the most expensive and spectacular gowns ever made, costing $8,000 at the time (around $100,000 today).   The gown was reused in a number of films, appearing with the sleeves removed and an added stole, on Felicia Atkins as Serina in the 1961 film 𝑻𝒉𝒆 𝑬𝒓𝒓𝒂𝒏𝒅 𝑩𝒐𝒚.   In 1963 the stole was cut in half to be used as a turban and worn with the sleeveless altered bodice by a model in 1963's 𝑨 𝑵𝒆𝒘 𝑲𝒊𝒏𝒅 𝒐𝒇 𝑳𝒐𝒗𝒆.   After many years of use, the gown was purchased at auction in 1990 by Larry McQueen of The Collection of Motion Picture Costume Design. The gown’s intricate beadwork and delicate fabric required painstaking work to restore it to its original splendor. McQueen’s dedication to the restoration of this masterpiece ensured that it would be preserved for future generations to appreciate.   This dress has so much more information! Far too much for me to post here on social media. To learn more please visit one of the below sites:

  Larry McQueen’s The Collection of Motion Picture Costume Design at: https://filmcostumecollection.com   Or visit the page for this costume on our website at: bit.ly/PostEd208

[recycledmoviecostumes]

This distinctive suit, designed by Travis Banton, was first worn by Claudette Colbert as Jeannette Desmereau in the 1935 film 𝑻𝒉𝒆 𝑩𝒓𝒊𝒅𝒆 𝑪𝒐𝒎𝒆𝒔 𝑯𝒐𝒎𝒆. It was worn the very next year by Martha Raye as Emma Mazda in 𝑹𝒉𝒚𝒕𝒉𝒎 𝒐𝒏 𝒕𝒉𝒆 𝑹𝒂𝒏𝒈𝒆.   More photos of this costume can be found at Bit.ly/PostEd242      

[recycledmoviecostumes]

This elegant gown, masterfully crafted by the renowned designer Travis Banton, made its dazzling debut on Kay Francis, who portrayed Donna Lucia d’Alvadorez in the 1941 adaptation of Brandon Thomas’ beloved play 𝑪𝒉𝒂𝒓𝒍𝒆𝒚’𝒔 𝑨𝒖𝒏𝒕.   Although the audience saw it in black and white, its true color was revealed the following year when it graced Rita Hayworth as Sally Elliott in the 1942 film 𝑴𝒚 𝑮𝒂𝒍 𝑺𝒂𝒍.   Learn more about this beautiful dress at: Bit.ly/VicEd323    

[recycledmoviecostumes]

This floral dress, with its distinctive scalloped edging on the sleeves, was designed by Travis Banton and first appeared in the 1930 Paramount film 𝑯𝒐𝒏𝒆𝒚, worn by Nancy Carroll in the role of Olivia Dangerfield.   Later that same year, the dress surfaced again in 𝑻𝒉𝒆 𝑬𝒚𝒆𝒔 𝒐𝒇 𝒕𝒉𝒆 𝑾𝒐𝒓𝒍𝒅, where Una Merkel wore what appears to be the same design as Sybil LaGrange. While the film is now considered lost, an illustration of Merkel on the cover of a reprint of the original novel suggests she was indeed wearing the same costume.   Whether it’s the exact same dress is unknown. Since the films were produced by different studios, it’s possible the design was purchased off the rack or reproduced separately.   What’s your take on this piece? Let us know at: Bit.ly/PostEd217  

[waynelvslcy]

Of the 43 films in TCM's Star Of The Month lineup for October, the one film that is noticably absent and continues to remain elusive to me is 'Lover Come Back' (1946). Lucille loved the Travis Banton designs so much that she was permitted to purchase the estimated $75,000 wardrobe for a sizeable discount. Second photo shows Lucy wearing one of these gorgeous outfits again in the 1960's. Tenth photo is lent to us courtesy of @jase5178 . #lucilleball #universalpictures #wardrobe #moviecostumes #travisbanton #classichollywood #classicmovies #turnerclassicmovies @tcm https://www.instagram.com/p/CVVtOvFFFq2/?utm_medium=tumblr

[glamamor]

My visit to Paramount yesterday was a benefit for the @hollywood_heritage museum and we watched a screening of 1929's LOVE PARADE. They had #JeanetteMacDonald's original wedding gown (and crown) designed by #TravisBanton on display, which included its incredible train. Look through these pics to see all the detail. The dress is restored, but the train is completely untouched yet in beautiful condition. #oldhollywood #classichollywood #style (at Paramount Studios) https://www.instagram.com/p/Bz5haBQHwHg/?igshid=1si9o8wfbfqdg