David Boyd (1924 - 2011) - Europa’s Daughter Diving from the Tree of Fire into a Blue Rose Bush with Animals in Flight. 2003. Oil on canvas.

seen from United States
seen from United Kingdom

seen from United States
seen from United States

seen from Singapore
seen from United Kingdom
seen from United States
seen from Malaysia

seen from Malaysia
seen from United Kingdom
seen from China
seen from Yemen

seen from United States
seen from China

seen from United States
seen from Italy

seen from Singapore
seen from United States

seen from Italy

seen from Malaysia
David Boyd (1924 - 2011) - Europa’s Daughter Diving from the Tree of Fire into a Blue Rose Bush with Animals in Flight. 2003. Oil on canvas.
My people have died as fires die--without a trace.
Adonis, from ‘Tree of Fire’, The Pages of Day and Night (trans. Samuel Hazo)
Writer Gabriela Lopez de Dennis did a write up of TREE OF FIRE, opening THIS FRIDAY!?b>
Brown Paper Tickets Ticket Widget Loading... Click Here to visit the Brown Paper Tickets event page.
RAW Founder Jesse Bliss sits down with Santana Westbrook of TruthSeekers Radio to talk about the upcoming production of Tree of Fire. She shares the "Who, What, and Why of this passion project four years in the making.
To listen to the show in its entirety click here.
You can find Santana Westbrook and crew on Facebook or subscribe to TruthSeekers Radio on iTunes.
The Glass Leaf
As we embark on production for our upcoming play TREE OF FIRE, The Roots and Wings Project will be blogging about The Prison-Industrial Complex, a topic the play deals with heavily.
After nine years of service as a Creative Writing Teacher in juvenile hall, I resigned on Wednesday. My heart hurts. I had a nightmare last night that I was compressed by water holding me down in my student’s cells, almost drowning with them. I woke up and cried while getting ready to go to what would be one of the last classes I would teach at Central Juvenile Hall.
I must change capacities. There is not a bone in my body that has grown weary of teaching my students. Those hours in the halls have been the most heart-felt, electrifying hours of my life. However, the bureaucracy of the system, the things my eyes have seen inside those walls, is haunting.
I leave not abandoning them, not running from the horror of it all, but trusting that other capacities will give me opportunities in which to shed light on the emergency of mass incarceration. As my dear colleague suggested, the tears will turn from mourning to celebration of the new path I embark on as I carry each and every precious moment I've spent with my students in my heart, blood and bones.
I leave with my eyes looking up, surrendering in prayer that I can somehow be even more effective in another context. I look forward to the telling of TREE OF FIRE. I am excited for those characters to breathe. I welcome the conversations the work elicits. My husband mentioned I am stepping out onto a glass leaf. Indeed. – Jesse Bliss