Roles Within A Sound Team
The Sound team is vital within a production team and to operate successfully the different people within the sound team have to perform there roles well for the team to run smoothly and operate correctly. Within the sound team there are the following roles;
Head of Sound- The head of sound is responsible for the entire sound team. He/she will deal with any problems the sound team have, the budget the team has to use and they also deal with any repairs that need to be made to the equipment that the team are using. They will work closely with the rest team to ensure that everything runs smoothly.
Sound Designer- The sound designer is responsible for the design of the sound in a venue. They will have to deal with we the speakers are going to be placed within the venue (so if a part of the set needs to make a specific noise then they will place a speaker in that part of the set). They will also deal with the sound effects that the directors require for the piece. They will organise how the sounds are going to be made and then pass this information on to the foley team or even produce the effects themselves. The designers will be working very closely with the Head of Sound to make sure that they have all the equipment they need to design the show, as well as the head of sound they will also work with the design team to ensue that there speakers do not interfere with the set and the lighting team to ensure that the speakers are not in the way of the lights.
Sound 1- Sound number 1 is responsible for operating the show. They will concentrate on the live mixing of bands that are involved in the performance. They will also be responsible for EQ of the room. They will work closely with Sound 2 and Sound 3 as well as the Sound Designer so that they are aware of the speaker placement.
Sound 2- Sound 2 is responsible for reading the book and playing the sound effects when given the cue by the DSM or if the DSM is not cueing by reading the book. Sound 2 will also keep an eye on the microphones ensuring that they have enough battery power and if the levels are ok and they are not accidentally muted during the performance. In a smaller scale theatre were there is no Sound 3 they will put microphones on the actors or singers. They will work closely with Sound 1 to ensure they know when to send the SFX through the PA. They will also work closely with the DSM to ensure that they are cueing at the correct time.
Sound 3- Sound 3 are solely responsible for ensuring microphones are securely fastened to the actors and are turned on. If they do not complete there job properly then Sound 1 can not perform his job properly. They will work closely with Sound 1 to ensure that all of the microphones are working.













