Hello! May I ask what version/characterisation of each of the Rogues do you think is the worst?
Hi!
Len: In a general sense, I'd say the post-Johns stories which make him stupid (and I say "post-Johns" because Johns wrote the version that's largely defined him since -- and for good reason). I'm singling out Flash: The Fastest Man Alive as his worst though, because he was a mixture of stupid and thoughtless and completely went against the characterization that had been so popularly established for him. Len had a rule against killing heroes for a reason, and that arc + Countdown + Salvation Run was as though DC had posited "But what if he was actually a jackass?"
Lisa: The worst is when DC portrays her as a sad victim for Len to angst over (a general years-long problem), but if we're talking actual characterization I think the Eclipso annual is the worst for her. She doesn't really have a personality there, she's just nuts and it's played for laughs and to drive the action.
Digger: For him, I think the worst is when DC makes him a raging bigot (racist, misogynist, homophobe) with absolutely zero redeeming qualities, and you've genuinely got to wonder why nobody's murdered him yet. I think it's fine if he's got some outdated or crappy views to act as a foil to other characters, but he sometimes veers into caricature territory.
Owen: His Rebirth era reinvention as a douchey tech bro is pretty terrible, honestly, and is my pick. But Blackest Night: Flash was definitely the biggest character assassination.
Mick: His New 52 raging edgelord self, which didn't really end until Force Quest in the Rebirth era.
Hartley: His inclusion with the Rogues in Flash: Fastest Man Alive, which had vague claims of him being 'undercover' and whatnot, but the end result is that he was party to Bart's murder and it began the path to Countdown. It really didn't help that the art was ambiguous and looks like he's actively kicking Bart to death, even if (allegedly) that's not what the writer intended.
Mark/Marco: I don't know if I can call it the worst, but his post-Flashpoint revamp has been a damp squib; he's mostly just there and doesn't do much. His backstory is dubious at best and kinda offensive, and (to me) he's only been interesting in Rogues Rebellion. I think he can be made interesting if a writer wants to put in the work, but nobody's done so yet.
James: Countdown lol, along with the nonsense leading up to it in Flash: The Fastest Man Alive. Second place goes to "The Greatest Trick Of All" arc.
Axel: The Helmet of Fate: Detective Chimp issue, which had him gruesomely murder a bunch of college kids for their stuff.
Roscoe: The "Presidential Race" story (Flash v2 #120-121), which was very out of character for him.
Sam: Probably when he became a petulant hedonist in the latter half of Williamson's run. He's arguably the Rogue who's had the least development over his career (pre-Crisis was never very deep and he died in Crisis, and then he was mostly bland after returning in the New 52 until he went to the Suicide Squad book), so he's probably the hardest to find a bad story/characterization.
Evan: The issue in which he stalked and beat his ex-girlfriend after having been established as not wanting to hurt women and children. That probably laid the groundwork for all the later stories which have forgotten his moral code.
Roy: His New 52 incarnation, in which he was a whiny dork called Chroma and had his head ripped off and put on a pike.
Al: Establishing him as completely amoral and without any of the ambiguity or moral struggles he'd historically had. As for a just plain bad story, that fill-in arc between Williamson's and Adams' runs was all over the place.







