Bus ticket home? Ten dollars.
Walk from the bus stop? Forty Minutes.
Two glasses of wine upon arrival? Priceless.

seen from United States
seen from United States
seen from Netherlands

seen from United States

seen from Uzbekistan
seen from Germany
seen from Jordan

seen from Vietnam

seen from United States
seen from United States
seen from France

seen from United States

seen from Brazil
seen from United States

seen from Russia
seen from India
seen from China

seen from United States
seen from Chile
seen from China
Bus ticket home? Ten dollars.
Walk from the bus stop? Forty Minutes.
Two glasses of wine upon arrival? Priceless.
writing an essay like
me: at last I figured out how to word that sentence
me: I think that warrants a break
me: I worked so hard
Berlioz emphasizes the beauty of these triplet series by sending them into the uppermost octave of the harp, which he says possesses a “lovely crystalline tone of voluptuous freshness [and able to] whisper delicate secrets with lovely melodies”. [1] Perhaps the two harps whisper to each other about the protagonist’s secret love, and so reveal to the audience his innermost thoughts as he enters the ball.
[1] Berlioz, Hector, and Richard Strauss. Treatise on Instrumentation. Translated by Theodore Front. New York: Dover Publications Inc., 1991. Pg 141
I don’t know if I’m pathetic or brilliant.
nope. nvm. I am done for the night. Tune in tomorrow for more exciting installments of my history essay.
· Prologue/part 1
o Replaces keyboard – also guitarlike? Wtf cares tho
o Interjects, as in symphonie fantastique
o Accompanies soloists
§ Lyrics having to do with lurve and heavenly bliss etc
§ Disappears at the mention of death
§ Ffforshadows Queen Mab, and there is ur fuckin segue
o Some chomaticism – where find it
· Part 2
o 2 harp parts – significant?
o Harps represent party off somewhere nearby or some shit
§ Anything with horns?
§ Haha
§ Contrapuntal effect of combining to themese infinfal return of the them but leys be real, you aren’t going to write about that ti’s too much work
§ “chords, arpeggios, of extreme splendour” WHO SAID THAT?
· Part 3
o Also two harp aprts
o Queen Mab, HERE SHE IS
§ Small fine and nimble
§ Fairies and shit, so RANGE
§ Noiseless harmonies, wtf who says that it’s beautiful
OK, and all of this can probably be related to Romeo et Juliette
And then we segue into stuff about the less raucous parts of Romeo and Juliette – like queen mab, and also the heavenly stuff, and that leads us into Harold and Damnation.
· Use of range – Identify
· Double action in bar 333? NOPE
· Use as decorative interjection, as in Romeo et Juliette
o Brings music back?
· Combined with solo horns to evoke a Parisian salon – where?
· Coda – Brown has something to say about this
o Where even is it
ohgodohggodohgod