DISCOGRAPHY | click to enlarge.
set in an alternate history based around the wild west with horror and minor steampunk influences, deadlands’ score remained close to that of a regular western. the show followed three different sets of characters, though he’s particularly proud of the work he did on kit’s theme and the music surrounding her story line. there’s a haunted, aching quality to just about every piece he wrote for her and he still gets a little bit of a shiver every time he listens to her theme.
brigantes is a historical drama that centres around a celtic tribe in the 1st century. the score was recorded with entirely traditional instruments and jasper enlisted the help of various european folk artists in order to create the perfect sound for the show. his theme for the show earned him his first emmy but that doesn’t mean he’s content to stay on par with his previous work. he’s still trying to do better and better as the seasons progress, and it shows.
jasper was initially only interested in inquisition because he was told they wanted a different sound to the previous games and he liked the idea of the challenge. he weaved a fair amount of the old into his score and, all in all, produced something to be proud of. he worked closely with alice on this soundtrack, which is probably why he’s got such a soft spot for it.