#vimala pons

[dermondistaufgegangen]

L'Attachement (2024) Carine Tardieu

[genevieveetguy]

The Ties That Bind Us (L'attachement), Carine Tardieu (2024)

[sundaynightfilms]

The Rendez-Vous of Déjà-Vu, 2013

[guillaume-en-egypte]

La Fille du 14 Juillet dir. Antonin Perejatko (2013)

[loo-nuh-tik]

I no longer try to resist And I let myself go blind

[x-heesy]

I've nothing left

But my soul

But my soul

I've nothing left

But my soul

I let myself go blind

I've nothing left

But my soul

I let myself go blind

I let myself go blind

I let myself go blind

I let myself go blind

And I let myself go blind

And I let myself go blind

And I let myself go blind

And I let myself go blind

Ashes all around

There, she is my light

I no longer try to resist

I no longer try

I no longer try

Go blind

Death is mine

Death is mine

I let myself go blind

I let myself go blind

Death is mine

I LET MYSELF GO BLIND by KOMPROMAT, Rebeka Warrior, Vitalic, Vimala Pons, Sonia DeVille

[savage-kult-of-gorthaur]

"...IT WAS REALLY INCREDIBLE BECAUSE IT WAS THE FIRST TIME I DID A FASHION SHOOT."

PIC(S) INFO: Spotlight on French-Indian actress Vimala Pons in an editorial for "Lampoon" magazine. 📸: Maxime Ballesteros, published November 8, 2023.

DORRELL MERRITT: "Your editorial with Maxime Ballesteros works with humor, uncanny, scale and likeness, and of course, the balancing of objects performatively, which you’ve become known for on social media.  The atmosphere of his work catapults the viewer to the border between the dream and the nightmare, placing a lot of emphasis on the thin line that divides the opposites and antagonisms that govern us. What was the experience like, coming from an acting background?"

VIMALA PONS: "Actually, it was really incredible because it was the first time I did a fashion shoot. I was quite lost at some point because all the objects in the shoot were my objects. Intimate objects that I know, and that I have built, but the clothes were not mine, and were so expensive! Acting is really different to moving images. No stories, like in cinema where you have eight different stories; different women, different men and such. There is an astronaut, David Wolf, who when coming back from the moon, said that when you return, your senses are heightened because they’ve been absent for many months. You feel the weight of your watch, you feel the weight of the tears when you cry. So I would say that working with Maxime was an experience like this. My senses were heightened."

Source: https://lampoonmagazine.com/article/2023/11/08/maxime-ballesteros-vimala-pons-uncanny-photography-fashion-shooting-ethics-aesthetics.

[se7enpixels]

Vincent Must Die // Vincent doit mourir (2023) dir. Stéphan Castang