Mar 21
As titles go, this one is up there with Pérotin's Mors ('Death') - and come to think of it, I'll post that next.
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As titles go, this one is up there with Pérotin's Mors ('Death') - and come to think of it, I'll post that next.
Matthew Locke (1630-77) - Viol Consort No. 5 of Fower Parts in g-minor, I. Fantazie. Performed by Jordi Savall/Hespèrion XX on period instruments.
Veni, veni Emmanuel
(Oh come, oh come Emmanuel)
15th Cent., arr. Philip Lawson. performed by Arculo Consort of Viols at the Royal Welsh College of Music and Drama in July 2019
If you're not listening to these three pieces the next time you're thinking about or needing to write about something sad, then you're missing a trick (they work beautifully for me):
Sorry about all the recent early music spam, it will happen again.
God, I miss playing tenor viol.
Haven't posted any viols for a while. Here, have this. Claude Le Jeune (b. circa 1528-1530, d.1600), Première fantaisie.
God, I miss playing the viol. Stupid left thumb, stupid Ehlers-Danlos Syndrome.
Carl Friedrich Abel (1723-87) - Allegro No. 22 for Solo Viola da gamba in d-minor, WK 207. Performed by Simone Eckert, viola da gamba.
Johannes Schenck (1660 - after 1712) - Sonata for 2 Violas da gamba in G-Major, Op. 8 No. 10, II. Allemanda. Performed by Les Voix Humaines on period instruments.
