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(Album of the Year Grammy-nominee) Janelle Monae at Billboard's 13th Annual Women in Music event
It’s gotten harder for us to stay in hiding.
Official trailer for Fast Color (2018), dir. Julia Hart, in U.S. theaters March 29, 2019
More images of Ruth Negga as Hamlet at Gate Theater Dublin, (21 Sept-27 Oct 2018)
♫ Pink like the inside of your, baby / Pink like the walls and the doors, maybe / Pink like your fingers in my, maybe / Pink is the truth you can’t hide / Pink like your tongue going round, baby / Pink like the sun going down, maybe / Pink like the holes in your heart, baby / Pink is my favourite part ♫
Janelle Monáe & Tessa Thompson in the official video for PYNK
Tessa Thompson & Lakeith Stanfield (’Sorry to Bother You’) for GQ
"There are so many movies with people of color coming out that are like, 'It's the people-of-color version of a heist movie!' Or, 'It's the people-of-color version of a buddy-cop thing!' You know, 'People of color in this romantic comedy instead of Jennifer Aniston' or whatever." [Director Boots] Riley's representation doesn't mean just slotting people of color into roles "they wouldn't have gotten originally" (read: white), it means creating roles we haven't seen before: "This is a new movement of art for people of color that has to do with not only people being represented on screen and behind the screen, but a new way of thinking about the creation of art. [Stanfield and Thompson] are two of the prominent members of this kind of new group of actors that are coming up."
First look at Ruth Negga as Hamlet photographed by Chris Sutton (opening 21 Sept @ Gate Theater, Dublin)
“It’s tricky, because Janelle and I are just really private people and we’re both trying to navigate how you reconcile wanting to have that privacy and space, and also wanting to use your platform and influence,” says Thompson. “I can take things for granted because of my family – it’s so free and you can be anything that you want to be. I’m attracted to men and also to women. If I bring a woman home, [or] a man, we don’t even have to have the discussion.” She pauses in her dissection of a chunk of avocado toast, and puts down her knife and fork. “That was something I was conscientious of in terms of this declaration around Janelle and myself. I want everyone else to have that freedom and support that I have from my loved ones,” she continues. “But so many people don’t. So, do I have a responsibility to talk about that? Do I have a responsibility to say in a public space that this is my person?” Certainly, the internet would very much like that. There are countless stories dedicated to detailing their every outing, and searching for significance in their chosen outfits. Thompson is tickled when I mention this, and seems unfazed. “We love each other deeply,” she says. “We’re so close, we vibrate on the same frequency. If people want to speculate about what we are, that’s okay. It doesn’t bother me.”
Tessa Thompson for Net-a-Porter
Sorry to Bother You (2018, Boots Riley)
