Erich von Stroheim et Gloria Swanson dans "Boulevard du Crépuscule (Sunset Boulevard)" de Billy Wilder (1950), novembre 2025.

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Erich von Stroheim et Gloria Swanson dans "Boulevard du Crépuscule (Sunset Boulevard)" de Billy Wilder (1950), novembre 2025.
Feeling small facing the darkness. At Magasin 4 last week supporting Big Brave & My Disco. Photo by Stephan Vercaemer for Gonzo (Circus).
I'm watching a film from 1924. 85 hours were shot entirely on location. Originally 42 reels, and 462 minutes long. Screened just once, for a dozen people, now it's considered a lost masterpiece. While at Universal, Irving Thalberg had fired Erich von Stroheim. Now as head of the post production at the new Metro Goldwyn (eventually MGM) studio the two were working together, again. Thalberg demanded it be cut down for exhibitors/consumers. It was cut to 2.5 hours. A financial disappointment, and until the 1950's it was considered a critical failure. Director, editor, producer, (co)writer von Stroheim, considered it his crowning achievement. Using continuity, and publicity stills Turner Entertainment was able to construct a 239 minute version, in 1999. A far cry from the original seven hours, 42 minutes, but I'm glad I am around to see it. Image via the #Wikipedia.
Yo! This film while being a small piece of a bigger puzzle manages to exist on its own. Juice as many meanings from this as you need. Stay woke. 🐛 #greed #vonstroheim #film #oldschool #gold #deep #meaning
Lobby display in Chicago’s La Selle theatre for The Devil’s Pass Key (Erich von Stroheim,1920).
#Jojosbizzareadventure #jojosbizarreadventure #jjba #rudolfvonstroheim #vonstroheim #germanscience #propoganda #battletendency #jjbaedit