Laurie Simmons, Walking and lying objects (1987-1991) / Oggetti viventi

seen from United States
seen from China
seen from China

seen from United Kingdom

seen from France
seen from Brazil

seen from France

seen from United States
seen from Russia
seen from United States

seen from France
seen from Russia

seen from France
seen from United Kingdom
seen from Malaysia
seen from United States

seen from United States
seen from China
seen from China
seen from Philippines
Laurie Simmons, Walking and lying objects (1987-1991) / Oggetti viventi
Laurie Simmons
To be completely honest, when I was first shown Laurie Simmons work I thought to myself "what's the big deal?" I found her work to be sort of mundane and I did not really see why people rave about her aside from the fact that she clearly has great technical skills. However, when looking through her online portfolio it became clear that Laurie's genius lies in her ability to get in touch with peoples memories (especially many girls childhood memories) through her use of dolls to create the scenes that she then photographs. I find it hard to explain what is so special about Simmons' work but I think that the selection from a biography about Laurie which I have included below does a good job of summing it up...
Simmons stages photographs and films with paper dolls, finger puppets, ventriloquist dummies, and costumed dancers as “living objects,” animating a dollhouse world suffused with nostalgia and colored by an adult’s memories, longings, and regrets. Simmons’s work blends psychological, political, and conceptual approaches to art making—transforming photography’s propensity to objectify people, especially women, into a sustained critique of the medium. Mining childhood memories and media constructions of gender roles, her photographs are charged with an eerie, dreamlike quality. On first glance, her works often appear whimsical, but there is a disquieting aspect to Simmons’s child’s play, as her characters struggle over identity in an environment in which the value placed on consumption, designer objects, and domestic space is inflated to absurd proportions. - www.pbs.org
While some of her work I find to be a little bit creepy, I think that it is backed by imaginative and well thought out concepts. My favorite photos of hers are the photos in which she uses the bottom half of the female human body (the legs) and places an object on top. Simmons has worked with artists and fashion designers such as Chanel and designed the 2002 Tribeca Film Festival Award. (Image included below) Not only is she an esteemed photographer, she also has received a lot of attention for her Films and writings. Below are some of my favorite works by Laurie. for more information Check out her website at www.lauriesimmons.net or head over to the MOMA, Whitney or the Met to see her work on display in person!
2002 Tribeca Film Festival Award, Designed By Laurie Simmons
Chanel 2005, Laurie Simmons (Private Commission)
Chanel 2005, Laurie Simmons (Private Commission)
Underneath 1998, Laurie Simmons
Underneath 1998, Laurie Simmons
The Instant Decorator 2001-2004, Laurie Simmons
The Instant Decorator 2001-2004, Laurie Simmons
Walking and Lying Objects 1987-1991, Laurie Simmons
Walking Camera 1987-1991, Laurie Simmons
Walking Gun 1987-1991, Laurie Simmons
lay, lady, lay
Lying Book, 1990
Lying Perfume Bottle, 1991
Walking Gun, 1991
Lying Gun, 1991
Lying Accordian, 1991
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Laurie Simmons, Walking & Lying Objects