Light up my cigarette important. Because I don’t want to do this.
Walking on wobbly feet through foreign ground, grinning up chin dripping Clementine. Hands poking holes with fingers fat and pink through dusted dunes of red rock raw and rumbling over miles of a great open wide. I am trying to remember. Remember the divots of dirt impressed into the creases of balmy palms, remember the glint of a sun brighter than bright, remember the feet that carried me and the hands I held. I am trying to remember for what so long I have tried to forget.
Sunlight on a broken column—she walks. Holes of missing hippocampus stuffed tight by miles of earth collected in the tread of a left boot. Red rock—mudded fingers—raisin stuck between the teeth—T.S Elliot on the mind. She holds a hand up waiting for response, for the grip, for the flesh of fingers entwined into a waffled creature solid and secure. Layers of sediment build on her skin blue and red and burnt brown and she has become a rock; stagnant.
Scrape off the exterior to reveal skin beneath.
Pulled forward by her hand held she is high on the plateau in view of a Hoodoo. They have come from the pit—the stomach of a canyon wide, she has walked through the mouth and entangled her feet with the intestines of Bryce, leaving nothing but prints and a dropped photograph behind. This world has been bathed in red, rocks twist mortal like a broken neck unnatural. She is in Utah, but she does not know. The where was not important then—the details just fuzzy facts that sat in the buzzing background of a burrowed brain. It was not about the where. It was about the what—what was real and tangible and touchable.
Crescent colored sky—the first rainbow. A virgin accident of a
misty day folds itself into the memory. Stringing together thoughts of years passed, years during, years before The Clear. Before caustic became calm, before sour tongues pressed dry began to salivate: To recapture a memory of a relentless child—I am not supposed to be here. I am not supposed to—
Are quiet and meaningless
Sinking into my common room couch, surveying the disaster of what it means for me to write about my childhood; I need to breath. I don’t do this, and I want to replace don’t with won’t and won’t with can’t, but I can’t do that. It does not make sense to make sense of my seven-year-old mind. It does not make sense, words spit wired and fantastical nonsense like some misinterpret dream.
I do not have anything I want to say to you;
I know how many steps it takes to get to the yellow fire hydrant by your house—toe touching heel in front, no gaps between feet as soles press to concrete. No gaps.
Maybe the scars on my knees aren’t really scars. Knees, ankles, arms, thighs, wrists, back. Maybe that cut crescent on my forehead is just a reminder, a memory of some far and floating recollection. Physical memories bear down on the skin—weighting the body until the muscles collapse and deteriorate.
Skin becomes earth again—
Skin becomes mineral becomes dirt becomes rock pressed deep.
She walks amongst her forebears, few grey trees stipple the burnt background.
Boulders stack into elevated angels of orange Hoodoos, leering over her head with arms outstretched into arches and towers tall. Palms press to rock—to the breast of some beating creature. Beating creature. Beating the odds back with bloody little fists curled closed and clutching a rock precious.
I had pet rocks as a kid.
Thought them funny, and cute.
Glued on dollar-store googly eyes, sat them on the mantle. I was allowed one from each trip. We weren’t there to destroy, or to take, Mom would say. But Dad would slip a rock in his pocket. Every time. Yellowstone, Red Wood, Grand Canyon, Pescadaro, you name it. But I took that rock from Bryce. It was the first thing I stole. I took it and I held it tight until it rubbed smooth around the edges. Until Bryce engrained himself into my palm permanent. Engrained physically, but still I cannot seem to remember—
Shape without form, shade without color,
Paralyzed force, gesture without motion;
And then there is a flash and a whip and a memory of striking light hits the brain to illuminate the mountains. Fantastic shapes spin cadmium red veins through the cracks and the collapse and the fissures of mineral that drip down with the rain. And the thunder is deafening and she is afraid that the cabin might erode away with the rock. Bulging spires and narrow fins fan out from the plateau, and she is on a stage. Watching the storm kindle the hoodoos, arches lit bright by the hits of electricity. Some fantastic conductor—flicking fingers extend to wands against the black sky. Watching the orchestral erosion of millions of years like a time lapse, creating deep slot canyons for some planet foreign.
For surely this is not our earth—fissures deep contracting into some hearth unknown.
For surely this is not our earth—
This is the way the world ends
This is the way the world ends
This is the way the world ends
Not with a bang but a whimper.