#week 150

[spncreatorsdaily]

Thank you to @ozonecologne for allowing us to feature your wonderful creations this week! 

Consider giving them a follow for more amazing work! 

Tag us at #SPNCREATORSDAILY for our reblogs on saturday! If you’d like to be featured, please tag us within the first five tags of your original works!

Thank you for supporting creators and their creations

[jhutchmyanchor]

Week 150

Banner was made by the talented @litlifelover​

This is week 150, folks!

I am looking for authors or new stories to read. If you know an author or story that I’m not reading, please let me know!

Readers-please make sure you show these authors some love! If you’d like to check out my previous posts, follow #rachel’s fanfic lists or search the tag on my blog. Happy reading!

Endgame - redheadedflame

Timeless - @jgem87

The Interview - xerxia aka @xerxia31

Wolfskin Coat - alliswell aka @alliswell21

Katniss Everdeen is Not a Stalker - AULOVE aka @mega-aulover

My Brother’s Bride - AULOVE aka @mega-aulover

particularly pretty - lesbianophelia aka @mendontprotectyou

Friday, I'm In Love - lesbianophelia aka @mendontprotectyou

[sinetheta]

We wake in the middle of a life,              hungry. We smear durian     along our mouths, sing soft death a lullaby. Carcass breath, eros of  licked fingers and the finest perfume. What is love if  not            rot?

After Preparing the Altar, the Ghosts Feast Feverishly by Jane Wong. 2018.

Jane Wong is a poet and professor currently based in Tacoma, Washington, USA. A former U.S. Fullbright Fellow and Kundiman Fellow, their poems have appeared in journals such as Pleidas, The Volta, Third Coast, as well as featuring in The Arcadia Project: North American Postmodern Pastoral. Wong has published three chapbooks and published her first collection of poetry, OVERPOUR, in 2016. 

 In After Preparing the Alter, Wong continues to articulate her interest in the concept of “haunting” in Asian American poetry. She considers the ways in which history impacts the work of Asian American poetry and thus how “language acts as a haunting space of interventionism and activism”. In invoking the image of the hungry ghost (餓鬼), Wong interrogates the bounds of corporeality and its ramifications for Asian and Asian American identity through the medium of food.

Follow sinθ magazine for more daily posts about Sino arts and culture.

[sinetheta]

Wishing We Last Forever (但愿人长久) by Faye Wong (王菲). 1995.

Faye Wong is a Chinese singer, songwriter, and actress. Originally from Beijing, Wong moved to Hong Kong in 1987 and first rose to fame singing in Cantonese. Though primarily a singer, she has also acted in several films, most notably starring as the female lead in Wong Kar-wai’s Chungking Express (重庆森林).

Wishing We Last Forever is originally sung by Teresa Teng, and has lyrics derived from famous poem by Su Shi (苏轼). Wong covered this song in memory of Teng, who passed in 1995. 

Follow sinθ magazine for more daily posts about Sino arts and culture.

[sinetheta]

Assorted Lithographs by Wei Jia (韦嘉). 2002-2004.

Wei Jia is an artist based in Chongqing, China. A graduate from the Central Academy of Fine Arts in Beijing, Wei specialised in printmaking before shifting to include oil painting later in their career. Wei Jia currently teaches printmaking at the Sichuan Institute of Fine Arts, where they have been the deputy director of the printmaking department. 

The assorted lithographs are representative of Wei Jia’s earlier works. Through images from childhood with the origami ships and toy planes, the works are imbued with a sense of youth and nostalgia. 

Follow sinθ magazine for more daily posts about Sino arts and culture.

[spncreatorsdaily]

This week we’re featuring the lovely @ozonecologne​! We hope you enjoy all the creations that will be reblogged this week! 

Don’t forget to give them a reblog and follow if you enjoy their content! 

If you’d like to see your own creations to be featured on Saturdays, just tag us at #spncreatorsdaily!