When Emma Falls in Love - a comphet reading
i use "she" not to directly analyse Taylor's thoughts, but as a common narrator, unidentified and fictional, for all her songs.
Ever since I listened to 'WEFIL', it's been spinning in my head like a Proust' madeleine, a door sending me back to my own teenage years of ~ compulsory heterosexuality ~ So here's some more or less organized thoughts that I need to put down somewhere.
It all comes down to the "I wish I was her"
It seems pretty obvious for many sapphics (and I've seen it discussed a few times) that it resonates easily with the experience of not knowing if you want to be her, or be with her.
As always, Taylor Swift's songs are a portrait of patriarchy, and here, imo, it describes this particular mix of internalized misogyny and internalized lesbophobia. With the way women are put one against another, it can be complicated to make sense of one's feelings towards other women.
"I wish I was her" can be a way to make sense of strong feelings that dont't quite fit with best friendship. but what else could it be? if not a competition spirit you're ashamed to feel towards one of your best friend.
It's a step towards realizing you're longing not to be her, but to be him.
That being said, there's another layer there that I haven't seen discussed but which is even more screaming "teenage sapphic" to me.
Yeh, "I wish I was her" can be a way to disguise, or to understand, feelings you don't know how to make sense of otherwise. But "I wish I was her" can also be taken in its literal sense.
Specifically around this part:
when Emma falls in love, I'm learning
She wants to be her in the way she falls in love, per example:
'Cause when Emma falls in love, she's in it for keeps
She won't walk away unless she knows she absolutely has to leave
when can parallel this line in the same album, with 'Back to December' where she regrets walking away:
And then the cold came, the dark days when fear crept into my mind
You gave me all your love and all I gave you was "Goodbye"
But even a bit later, in 'Getaway car', there's this idea of wanting to leave the relationship even if there's no real reason behind it, even if the guy is perfectly fine.
I wanted to leave him
I needed a reason
She won't lose herself in love the way that I did
With this line, she's clearly referencing past love of hers that she compares with Emma's. It reminds me of 'The Way I loved You', where again, she compares a love that's more mesured, that looks perfect, to one in which she actually feels things, almost in a destroying-way but surely in a way she feels alive:
You're so in love that you act insane
And that's the way I loved you
Breaking down and coming undone
It's a roller coaster kind of rush
With these two ideas, she's distancing herself from a certain idea of love that she sees as a "right" way, a love that "fits right in the palm of [their] hands" and she wishes she could experience.
So.. the queer reading comes by itself at this point.
To me, the mere idea of thinking you can learn how to love, is a clear manifestation of comphet. (Straight) love is something you are supposed to do, and there is a right way to do it that the narrator fails to perform. And when it doesn't come naturally for you, when you realize what you feel isn't how you should (see again, The Way I Loved You), you're lead to question why that is and wonder what you should do instead. By over-anaylizing other girls' relationships with boys, per example.
The narrator is incapable of committing to a relationship with a man, and is always describing straight relationships as stories and scenarios. As boxes to check, again in 'The Way I Loved you':
He says everything I need to hear and it's like
I couldn't ask for anything better
(...)
'Cause I'm not feeling anything at all
He fits perfectly the concept of a relationship, but there're no feelings involved.
Relationships don't seem to be the problem per se, as she does describe intense love! She "loses herself in love", in something so strong and hard to control - which, yet, isn't how it should be.
What comes from WEFIL are these ideas of what's right and wrong when it comes to love, which of course comes back to what's seen as "normal". The fear of not feeling like you think you should can be read as a shift in between what you're taught, what you see in the stories feeding your fantasies, and what you're actually experiencing.
A lot of Taylor Swift's music is about real life not being like stories. See 'White Horse''s:
I'm not a princess, this ain't a fairytale
What makes it more specifically about internalized lesbophobia to me, in the case of WEFIL, in this depiction of another girl and boy getting together. She's disconnecting herself from, not only one love story, but from the whole idea of "girl meets boy"
She's singing her longing to be like Emma, not to be with her boyfriend that she barely describes, but to be straight. All while praising Emma's whole personnality... Yeh, I can see you.