madwheeler au where everyone at Max's job keeps trying to figure out who her mysterious "spouse" is only for it to be the most loser pathetic looking guy ever. Like how did he end up with the royalty that is Max Mayfield
seen from Peru
seen from China
seen from United States
seen from United States
seen from United Kingdom

seen from Malaysia

seen from Malaysia

seen from Malaysia

seen from Singapore

seen from Malaysia
seen from Germany

seen from Türkiye

seen from United Kingdom
seen from Germany
seen from United Kingdom

seen from Germany
seen from United States
seen from China

seen from Canada

seen from Italy
madwheeler au where everyone at Max's job keeps trying to figure out who her mysterious "spouse" is only for it to be the most loser pathetic looking guy ever. Like how did he end up with the royalty that is Max Mayfield
they told me that i've won
wheatfield in the mourning
(the album cover is NOT for a real album, just thought it looked cool)
Farmhouse in a Wheatfield
Artist: Vincent van Gogh (Dutch, 1853 - 1890)
Date: 1888
Medium: Oil on canvas
Collection: Van Gogh Museum, Amsterdam, Netherlands
03-26-26 | gulktk888. misterlemonzlime.tumblr.com/archive
05-12-26 | gulktk888. Misterlemonztenth.tumblr.com/archive
A Hungarian-born American artist, Agnes Denes (b. 1931) is a pioneer in environmental, ecological, and conceptual art. Her family survived the Nazi occupation in WWII and migrated to Sweden before settling in the United States.
In 1982, Denes planted a 2-acre wheatfield on a landfill in Manhattan two blocks away from the Wall Street and the World Trade Center. Against the backdrop of Wall Street, this golden wheatfield stood for four months and mesmerized many New Yorkers. Denes said in regard to this work, “… the work had to have a meaning, a strong message, and, of course, the paradox. … the work turned out to be one block from Wall Street, facing the Statue of Liberty, for which this country stands, in the middle of traffic in a bustling city. A large golden field of grain on land meant for the rich, on expensive real estate.” (From an interview with Ulrich Obrist)
Today, more than forty years after she created this monumental work entitled “Wheatfield – A Confrontation: Battery Park Landfill, Downtown Manhattan,” her vision touches even more deeply given the ever-increasing degradation of our environment, the ongoing mismanagement of land and food systems, and the widening divide between the poor and the wealthy—all the result of corporate capitalism, as well as geopolitical control of resources.
Denes said that this work represented “food, energy, commerce, world trade, economics” and referred to “mismanagement, waste, world hunger.” She also said, “My decision to plant a wheatfield in Manhattan, instead of designing just another public sculpture, grew out of the longstanding concern and need to call attention to our misplaced priorities and deteriorating human values.”
At the age of 88, Denes finally had her retrospective at the Shed in New York in 2019. This publication presents more than 130 works from the exhibition, spanning the artist’s entire 50-year career.
Agnes Denes : absolutes and intermediates New York, NY : The Shed, [2019] English Catalog of an exhibition held at The Shed, October 9, 2019-January 19, 2020. HOLLIS number: 99153868498803941